Photography titled "A. Warhol, Superma…" by Henri Dauman, Original Artwork, Non Manipulated Photography

A. Warhol, Supermarket - Tirage muséal Signé - Henri Dauman (1964) Photography by Henri Dauman

Not For Sale

Sold by Manhattan Darkroom

Limited Edition (#1/3) Photography, Non Manipulated Photography / Digital Photography on Paper

Artworks classification

Limited Edition

The edition run is over. The number of works produced has been determined and included in the listing.
Dimensions 19.7x15.8 in
Dimensions of the work alone, without framing: Height 18.9in, Width 13in
Framing This artwork is framed (Frame + Under Glass)
Categories Photographs under $5,000 Pop Art

Historic and iconic print Historic and iconic print edition Museum artwork The American Supermarket, Andy Warhol / Brillo Box 1964 Print reference / Scanning reference: C.176P01H Image format / Picture size: 40 x 26.8 cm Print format / Paper size: 48 x 33 cm Frame size / Frame size: 50 x 40 cm Additional information / Additional information: Photo signed by photographer Henri Dauman lower right. / Photo signed by the photographer Henri Dauman on the lower right. Description handwritten by photographer "JFK Funeral, 1963" lower left. / Handwritten description by the photographer "JFK Funeral, 1963" lower left. Print supervised and signed by the photographer. / Print supervised and signed by the photographer. Print and production certification on the back of the work: Certification sticker with number # 4078459 and bar code, film negative number and official exhibition label. / Print and production certification on the back of the work: Certification sticker with number # 4078457 and bar code, film negative number and official exhibition label. Certificate of original authenticity on the back of the frame / Exhibition COA at the back of the frame: # 4078457 Protocol de digitization et tirage / Scanning and printing protocol: Support original scanné sur / Original media scanned on: Hasselblad Flextigh X5 Tirage museum produced on / Museum print made with: Epson 9890 Encre / Ink: Ultrachrome Papier / paper: Canson Infinity Baryta 310 gr / m2 Year of realization / Year: June 2014 Place of realization / Place of print: Musée de la photographie Nicéphore Niépce - France Certification year: June 2014 Number and number of prints / Print number # 1/3 Notes on the photograph: This work is part of a historical report for Life Magazine. It is also one of the first portraits of Andy Warhol. For the first time, at the Bianchini Gallery in New York, Andy Warhol and other artists from the brand new Pop Art movement, are exhibiting in the form of a supermarket. This exhibition is known to be the first retrospective that will make these artists famous. During this exhibition, Andy Warhol will present his famous Campbell's Soup. The image is from a scan job in February 2014, New York, directly from the original slide. It has been restored for exhibition purposes and is shown and printed in its original framing. This edition is limited to 3 copies. Here we offer you the first of the series. The other copies were offered to various personalities during the retrospective "The Manhattan Darkroom" on the photographer at the Palais d'Iéna in 2014. Any question? Contact us! Notes on photography: This artwork is part of a historical report for Life Magazine. It is also one of the first portraits of Andy Warhol. For the first time, at the Bianchini Gallery in New York, Andy Warhol and other artists of the new movement of Pop Art, are exhibited as a supermarket. This exhibition is known to be the first retrospective that will make these artists famous. During this exhibition, Andy Warhol will present his legendary Campbell's Soup artwork. The image was scanned in February 2014, in New York, directly from the original transparency. It has been restored for exhibition purposes and is presented in its original image frame. This edition is limited to 3 copies. Here we offer you the first of the series. The other copies were offered to various personalities during the retrospective "The Manhattan Darkroom" on the photographer at the Palais d'Iéna in 2014. One question? Contact us

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Artist represented by Manhattan Darkroom

Henri Dauman

United States

Henri Dauman is perhaps the most famous photographer you've never heard of, at least not by name. His journalistic photos are sharp and thoughtful. He has depicted, for Life Magazine[...]

Henri Dauman is perhaps the most famous photographer you've never heard of, at least not by name.
His journalistic photos are sharp and thoughtful. He has depicted, for Life Magazine , The New York Times , Newsweek or Paris Match , a changing America torn by its exuberance and its contradictions.

Henri Dauman's work is atypical. It has witnessed important historical events that include the iconic images of Marilyn Monroe, Andy Warhol, Jackie and John Kennedy or the demonstrations for American civil rights, the uprising of Buddhist priests in the middle of the Vietnam War.
But his eye cinematographically dissects each subject. Henri Dauman is an engaging storyteller.
From Paris where he escaped the Shoah to Manhattan where he reinvented himself, he is one of the most prominent photojournalists of the 20th century.

Henri Dauman's photographic work offers us a new look at America. She depicts this key moment – the 1960s – when new arts emerged, when an increasingly disparate society asserted itself frankly, when the political and media worlds came together.

After escaping the Velodrome d'Hiver Roundup and the concentration camps, Henri Dauman emigrated to the United States in 1950. The seventeen-year-old young man remained fascinated by the power and urban architectural elegance of Manhattan. Throughout his career, he never stopped portraying the only city that matters: New York. The Looking Up series is part of the MoMa collection in New York.

Pugnacious, he became a recognized photojournalist and collaborated with all the major American and European titles, constantly asserting his independence with energy. His priority is to tell stories. The man confesses his debt to the cinema and its grammar, he uses sequences to meet the main objective of the press of the time: to focus on the photographic image.

He is also the originator of the defense of the copyrights of photographers in the United States for the American Society of Media Photographers (ASMP).

The iconic photograph of Jacqueline Kennedy at the funeral of assassinated US President John F. Kennedy is part of one of the illustrations regularly featured regularly by Life magazine. This photograph was also used many times by Andy Warhol for his paintings Nine, Twelve and Sixteen Jackies .

It was only at the age of 81 that he would be at the center of a first exhaustive retrospective at the Palais d'Iéna in Paris in 2014 with the retrospective exhibition The Manhattan Darkroom and an American biographical film Looking . Up in 2018. It will also be exhibited at the essential Nicéphore Niépce photography museum in Chalon-sur-Saône or at the Breman Museum in Atlanta.

Because of his unpublished work, Henri Dauman is often compared, by some, to Vivian Maier. More than 1 million photographs still remain unexplored today.