The Sweet One (La dulce) (2022) Painting by Gustavo Adolfo Díaz Sánchez (El Gus)

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Sold by Gustavo Adolfo Díaz Sánchez (El Gus)

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Sold by Gustavo Adolfo Díaz Sánchez (El Gus)

  • Original Artwork (One Of A Kind) Painting, Acrylic / Watercolor on Paper
  • Dimensions Height 11.8in, Width 8.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Abstract Colorful
Mi investigación para el curso me ha llevado a desarrollar otros proyectos alternativos. Este se inspira en mis recuerdos de unas autopsias que presencié hace años. Aquella fue una experiencia irreal, donde todo me parecía un decorado de cine con actores, y maniquíes en lugar de cadáveres. La idea inicial era pintar versiones[...]
Mi investigación para el curso me ha llevado a desarrollar otros proyectos alternativos. Este se inspira en mis recuerdos de unas autopsias que presencié hace años.

Aquella fue una experiencia irreal, donde todo me parecía un decorado de cine con actores, y maniquíes en lugar de cadáveres.

La idea inicial era pintar versiones abstractas de lo que vi en las autopsias. Sin embargo, la serie se llama "The Collector" ("El coleccionista") porque al final decidí crear una colección de personas, adentrándome en el terreno (tan de nuestra cultura pop) de los asesinatos en serie.

Related themes

AcrylicAbstractWatercolorAutopsySerielkiller

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I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20. But[...]

I excelled in drawing since I was little and although as a young man I attended drawing and painting classes in my native Alcázar de San Juan (Ciudad Real), I abandoned the practice at the age of 20.
But my creativity continued to emerge through the word, thanks to my two decades as a translator, and by running and creating role-playing games.
I am now an expert in localization and user experience. Great connoisseur of Lovecraftian themes. And I have designed and supervised role-playing games.
Two years ago teleworking gave me the time I needed, so I picked up art where I left it years before and I'm developing my abstract facet guided by the Madrid-based artist from Granada, Araceli García.
My works are enriched by my understanding of the word. As a visual thinker, I capture the abstract impressions that concepts project into my mind. I don't like to repeat myself, so I work on several different projects and experiment with various techniques.
Humanity painted in the caves to, through sympathetic magic, favor the hunt for what it represented. With my works I turn the tables, creating a kind of voodoo dolls with which to ruthlessly correct this spoiled world through "unsympathetic magic".

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