"La dinamicità della forma nel palcoscenico della follia" (2023) Painting by Giò Pasta

Oil on Cardboard, 19.7x27.6 in
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"La dinamicità della forma nel palcoscenico della follia" (The dynamism of form on the stage of madness) Il palcoscenico della follia può essere visto come un luogo dove le forme prendono vita, si avviluppano e si dilatano nello spazio in movimenti frenetici e irregolari. La danza diventa quindi metafora dell'essere umano[...]
"La dinamicità della forma nel palcoscenico della follia"
(The dynamism of form on the stage of madness)
Il palcoscenico della follia può essere visto come un luogo dove le forme prendono vita, si avviluppano e si dilatano nello spazio in movimenti frenetici e irregolari. La danza diventa quindi metafora dell'essere umano che si trova a fronteggiare la propria follia. Il legame tra danza e follia è strettamente intrecciato, poiché entrambi implicano un'esplosione di energia e un'assoluta libertà di espressione. La follia è vista spesso come una forma di "danza" in cui il soggetto si abbandona completamente al proprio istinto, liberando la propria creatività e la propria emotività. Nella danza e nella follia si può notare un'assenza di limiti, un abbandono totale al movimento e alla forma che esso crea. La follia, in particolare, ci permette di vedere il mondo con occhi diversi, facendoci apprezzare aspetti della realtà che prima ci sfuggivano. In questo palcoscenico della follia, i corpi in movimento si uniscono e si allontanano, creando forme sempre nuove e sorprendenti. Queste forme, spesso impercettibili all'occhio umano, si rivelano attraverso i dipinti di artisti che hanno cercato di catturare l'essenza del movimento folle.
Nella mia interpretazione metaforica, immagino un'esplosione di forme e movimenti che si susseguono in modo inarrestabile, creando un'atmosfera frenetica e travolgente. La follia è rappresentata come una forza creativa e distruttiva allo stesso tempo, in grado di generare visioni e allucinazioni che ci permettono di esplorare mondi inesplorati.

Related themes

La FolliaLa Metafora Della DanzaPsicodrammaDinamicita Della FormaVisioni

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I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located[...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

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