Pêche miraculeuse Painting by Gilles Chambon

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  • Original Artwork Painting, Oil
  • Dimensions Height 22.8in, Width 27.6in
Cachée derrière « Le port, hiver, printemps 1909 » de Georges Braque (National Gallery of Art, Washington), où s’entrechoquent les barques (qui sont d’ailleurs une anagramme de Braque), j’ai décelé une pêche miraculeuse. Il fallait pour cela jeter le filet synchronistique du côté d'un paysage précubiste de Giotto, et d'une fresque[...]
Cachée derrière « Le port, hiver, printemps 1909 » de Georges Braque (National Gallery of Art, Washington), où s’entrechoquent les barques (qui sont d’ailleurs une anagramme de Braque), j’ai décelé une pêche miraculeuse.
Il fallait pour cela jeter le filet synchronistique du côté d'un paysage précubiste de Giotto, et d'une fresque médiévale entrevue dans la basilique Sant’Angelo in Formis de Capoue… et il fallait pour finir, ressusciter un extatique christ de Tintoret.

Related themes

PostcubismeBraqueGiotto

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Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an[...]

Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an eccentric manner. Since 2014, he has begun practicing synchronistic painting, which consists of a telescoping, in each painting, of fragments borrowed from the history of painting and reinterpreted. 

The painted image still has a magical effect on Chambon. His creative method centers on the investigation of the connections between ancient and contemporary works, producing new poetry that he refers to as synchronistic painting. Chambon exhibited his works nationally, as well as internationally in China, Japan, Belgium and Spain. In 2018, he obtained the bronze medal at the 228th Salon des Artistes Français for one of his paintings.



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