Laocoon (2008) Painting by Gilles Chambon

Sold by Gilles Chambon

Certificate of Authenticity included
  • Original Artwork Painting, Oil
  • Dimensions Height 25.6in, Width 31.9in
  • Categories Surrealism
Apollo sent two enormous snakes against Laocoon (to punish him, it is said, for not having respected his vow of celibacy). They devoured his sons first, then Laocoon himself. No wonder that in my painting, the two snakes advance masked, with ridiculous or terrifying masks, like those of criminals, but also like those of African sacred dances. The myth[...]
Apollo sent two enormous snakes against Laocoon (to punish him, it is said, for not having respected his vow of celibacy). They devoured his sons first, then Laocoon himself. No wonder that in my painting, the two snakes advance masked, with ridiculous or terrifying masks, like those of criminals, but also like those of African sacred dances. The myth is always a mask which covers a large number of stories and represents them in a sacred or poetic fable. Here, the Trojan horse, borrowed from the "Divine Achilles' horses" by Chirico), is the last metaphysical seduction, the last trap which hides the imminent collapse of traditional art under the assaults of contemporary art. And to silence poor Laocoon, a shameless and somewhat kitsch priest-warrior, who denounces deception, the god of modern art sends the terrible, hilarious, and humorous machines of Tinguely, against the subversive power of which the defender of the old man stronghold of painting is no match for it. Like Troy, traditional art has today been destroyed.

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Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an[...]

Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an eccentric manner. Since 2014, he has begun practicing synchronistic painting, which consists of a telescoping, in each painting, of fragments borrowed from the history of painting and reinterpreted. 

The painted image still has a magical effect on Chambon. His creative method centers on the investigation of the connections between ancient and contemporary works, producing new poetry that he refers to as synchronistic painting. Chambon exhibited his works nationally, as well as internationally in China, Japan, Belgium and Spain. In 2018, he obtained the bronze medal at the 228th Salon des Artistes Français for one of his paintings.



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