WTC - le JT (2003) Painting by Gilles Paul Esnault

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Sold by Gilles Paul Esnault

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Sold by Gilles Paul Esnault

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Sold by Gilles Paul Esnault

  • Original Artwork (One Of A Kind) Painting, Oil on MDF Board
  • Dimensions Height 32.3in, Width 27.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Figurative Women Portraits
Portrait d'une téléspectatrice About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations.[...]
Portrait d'une téléspectatrice

Related themes

World Trade Center11 Septembre2001ManipulationAttentatComplotisme

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Gilles Paul Esnault: An Artistic Evolution in Two Stages In the eclectic artistic world of Gilles Paul Esnault, music and painting converge harmoniously. Initially a musician and composer, Esnault explored[...]

Gilles Paul Esnault: An Artistic Evolution in Two Stages

In the eclectic artistic world of Gilles Paul Esnault, music and painting converge harmoniously. Initially a musician and composer, Esnault explored the twists and turns of jazz and bossa nova in the studio. Then, guided by the inspiration of masters such as Richard Estes, Tom Blackwell and Shishkin, he made a bold leap into pictorial hyperrealism.

The first notes of his career resonate with the chords of the guitar, but the canvas called in an irresistible way. Hyperrealism became Esnault's new artistic language, capturing with astonishing precision the poetic simplicity of everyday life.

Esnault's paintings do not simply represent scenes ; they magnify them, revealing beauty in familiar details. Exhibited around the world, his creations arouse a universal resonance, inviting spectators to rediscover everyday life with a fresh perspective.

Today, Gilles Paul Esnault continues to evolve, his palette constantly exploring new possibilities. His artistic journey is a story in two parts, a symphony that unites music and painting in a moving visual melody.

The Artist was highlighted in an article in Artmajeur Magazine:

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