Gill Bustamante, a contemporary British painter, is renowned for her distinctive artistry that breathes life into large semi-abstract oils on canvas, drawing inspiration from the wonders of nature. Specializing in creating expansive semi-abstract landscape, seascape, and wildlife paintings, Gill has carved out a unique style that seamlessly blends art-nouveau, impressionist, and semi-abstract techniques with a touch of traditional portraiture. Her artistic vision is deeply rooted in a profound love for nature, animals, birds, and the rich flora and fauna that grace the landscapes surrounding her.
Central to Gill's creative process is a method she terms 'memory impressionism.' This approach involves immersing herself in nature, going for walks to observe and absorb the essence of the landscapes, and then returning to her studio to translate those experiences onto canvas. The result is a collection of artworks that capture the echoes and essences of the places she explores, often including the wildlife encountered during her walks. This distinctive method allows Gill to convey the feelings and impressions she has about these locations, offering viewers a glimpse into the profound connection she shares with the natural world. Gill Bustamante's artistic focus extends to the ancient landscapes of England, and her paintings frequently reflect the spiritual elements inherent in such revered locales.
This is a video of the finishing touches on an equine painting by Gill Bustamante. It is probably the most boring video ever uploaded unless you are a painter or a student of Gill's or like to understand more about the process of painting in oils. Note that Gill is better at painting than she is at making videos.
A step by step portrait demonstration of a black dog being painted in watercolour by Sussex artist, Gill Bustamante. Gill paints animals, landscapes and seascapes in oil on canvas as well as drawings and watercolours. For more info on see: www.gillbustamante.com
An oil painting demonstration by Sussex artist, Gill Bustamante painted in a vibrant, bold, colourful Expressionist, Impressionist style over a period of three weeks. A good example of a conceptual painting, executed from memory rather than photographs in order to better capture the emotion of the scene rather than photographic accuracy.
A step by step demonstration of giraffes being painted in oil on canvas in an expressionist, impressionist, impasto technique by Sussex artist Gill Bustamante.
A speeded up demonstration of wet-into-wet oil painting of scarlet macaws in the jungle by Gill Bustamante - Artist and Art tutor. Painting style is impasto, impressionist-expressionist. More at www.gillbustamante.com
As an artist and art tutor I have long realised how important creating something is to state of mind. And by ‘creating’ I don’t just mean painting, writing, music, etc - I mean any form of creation. A well made bed is a creation to a chamber maid, cars parked correctly are a creation to parking attendant, a pile of mud is a creation to a child. In fact, everyone creates and everyone should.
Why? – Because you’ll go mad if you don’t.
If you live among civilised people, you are continually obliged to follow rules. You have to stick to speed limits, you have to park carefully, you have to be polite, you have to follow fashion, you have to go to work and do what is asked of you, you have to know what time it is all the time so that you can do all the stuff you are meant to do every day. You have to be nice to people even when you want to slap them, you mustn’t swear, you must pretend to enjoy weddings and so on. There is nothing wrong with this – it is the only way the human race survives. However, it is unhealthy if you never get the chance to do things YOUR way.
Artists are lucky – they create images, music, prose etc to make something that pleases them and them alone - and that does not have to ask permission of anyone. Where else in life does one have the chance to create worlds as they would have them?
My favourite form of creation is painting. A good painting has promise and mystery and the possibility of being a doorway out of one space and into another. A good painting emotes and invites and delights the viewer and can change state of mind just by looking at it.
When I was 12 I read ‘A Picture of Dorian Gray by Oscar Wilde in which Dorian gets his portrait painted and then puts it in the attic once he realises it is ageing and corrupting instead of him. He then proceeds to misbehave and over indulge in all things without apparently ageing or getting messed up because the painting suffers the damage instead. WHY CAN’T I DO THAT????
I know I can’t because the self-portrait I did when I was 19 still looks young and beautiful and a size 12. (sigh…) However, I love the idea of a painting coming to life and this is what I try and make my paintings do. I also remember reading a scary story where people kept disappearing from ‘real life’ and reappearing in a haunting landscape painting of mountains and dark forests and strange log cabins. I want to be able to do that (as long as I get to choose the venue because I’d hate to appear in a Francis Bacon painting).
Both these stories made me realise that the reason I like painting is the possibility of magic. I usually paint things I can’t have. It is my way of being able to have them. I can’t have a tiger for practical reasons but I can have a painting of one. I can’t have Arabian horses or anything with fur because I’m allergic to them. I can’t have a beautiful villa, a Lamborghini and my own Caribbean Island because I am rubbish at making money. But I can have paintings of them.
The paintings which most inspire me by others have this quality of allowing me to step into them, or have the subject step out of the picture. One of my favourite paintings is ‘The light of the World’ by William Holman Hunt. It is a painting of Jesus knocking on the door of an old cottage in a wood. Even though I am not a Christian – it is impossible not to be moved by a desire to step into the painting and open the door for him. This is the power of painting. Most paintings around in the world right now do not appeal to me. But when one does it is like a siren pull. Even Mark Rothko paintings – as abstract as one can get – have the allure of ‘this may be a doorway to another world’ in them. I like that.
So why is being creative so therapeutic? Because we all need a universe that plays by our rules and not someone else’s and because is the only way to not go nuts – deep huh?
I paint large contemporary oil paintings of woodland scenes, trees, landscapes, animals, seascapes, underwater paintings, tropical fish and koi fish. My oil canvases are affordable and impressionist/expressionist and slightly art-nouveau in style. My favourite artist apart from myself is Gustav Klimt. I use thick (impasto) paint on 3D – deep edge canvas. I did my art foundation course at Chelsea and my fine art degree course at Brighton completing in 1982.
I am not arty, deep, mysterious, messed up, young, ‘emerging’ or remotely likely to get famous – I just like painting. I am inspired by music, cake and practically anything I look at. I plan to pretend I am dead at some point in order to sell more paintings.
Although I mostly sell the art listed in my portfolio, I also accept commissions to paint animal portraits, landscapes etc. See my ‘COMMISSIONS’ gallery for details On my Website – www.gillbustamante.com
Like many artists I sometimes describe myself as an ‘award winning artist’ for PR reasons. It is true but I rarely mention what the awards were so in the interest of integrity, here are my awards:
a) When I was 4 and in a convent school I won the ‘best painting of an angel’ competition. I won a handkerchief and a plastic flower.
b) When I was 9 I came first in a local painting competition for painting a picture of my house. It was a surprise as I had chucked it away a few weeks earlier when I got cross with it – not knowing my Dad had found it in the bin and entered into the competition. I still have the photo that was in the local paper of me looking simultaneously stupid, pleased and disgusted as the Mayor gave me my prize. I won a £5 book token.
c) When I was 11. I became the proud owner of a Blue Peter badge which I won for painting an underwater scene in a competition in 1979. I won a plastic badge with a boat on it.
d) When I was 37. I won an award for best wildlife painting in an on-line competition where people voted for best painting. I never got my prize as the website went down a week later.
e) When I was 48. I won first prize in the Danehill Art Fair. I won £250 (yay – an actual prize!)
That was possibly the best my illustrious competition winning career is going to get but at least I can genuinely call myself ’award winning’ – impressive eh?
