El Departamento (2023) Digital Arts by Francisco Tabakman (Frankly Tired)

Digital Arts, 39.4x27.6 in
$1,121.48
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Esta obra trasciende la simple metáfora de "la luz al final del túnel", desafiando nuestra percepción cotidiana de los pensamientos intrusivos, especialmente en el seno de entornos familiares. La pieza nos impulsa a enfrentar la realidad sombría que nos envuelve y a buscar redención, aunque la representación de esta redención adquiere una[...]
Esta obra trasciende la simple metáfora de "la luz al final del túnel", desafiando nuestra percepción cotidiana de los pensamientos intrusivos, especialmente en el seno de entornos familiares. La pieza nos impulsa a enfrentar la realidad sombría que nos envuelve y a buscar redención, aunque la representación de esta redención adquiere una dimensión única y compleja en este contexto artístico.

En este lienzo, la luz que podría ofrecer esperanza se desvanece como una ilusión efímera. Se presenta como un reflejo en el vidrio, sugiriendo la fugacidad de nuestras expectativas. Más allá de nuestra fe, simbolizada por el marco cruciforme, no encontramos una luz que guíe nuestro camino ni una esperanza que alumbre nuestro destino. Nos enfrentamos a un final eterno y oscuro que parece desembocar en la nada, cuestionando la naturaleza misma de nuestras creencias y la existencia de una redención tangible.

Aunque la obra ofrece alternativas, como se vislumbra en la imagen a la derecha, todas parecen converger hacia el mismo desenlace: un pasillo sin fin que nos conduce inexorablemente a la vacuidad. Esta representación invita a una profunda reflexión sobre cómo enfrentamos perspectivas desoladoras y cómo encontramos significado y propósito en un mundo que, a primera vista, parece sumido en la oscuridad. La obra plantea interrogantes acerca de nuestra capacidad de redención y nuestra habilidad para trascender la negrura que nos rodea, sugiriendo que la búsqueda de sentido es una lucha constante, repleta de desafíos y posibilidades.

El lienzo, con su expresión artística única, nos sumerge en un viaje reflexivo que va más allá de la superficie visual. Nos desafía a explorar las complejidades de nuestra propia existencia y a encontrar respuestas en medio de la incertidumbre. A través de esta obra, se nos insta a considerar cómo enfrentamos la oscuridad en nuestras vidas y cómo, a pesar de las aparentes limitaciones, podemos encontrar luz y significado en la búsqueda constante de redención y propósito.

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"The creations of Frankly Tired transcend the limits of conventional artistic expression. They act as mirrors reflecting situations marked by intrusive and violent thoughts, exploring nightmares, frustrations,[...]

"The creations of Frankly Tired transcend the limits of conventional artistic expression. They act as mirrors reflecting situations marked by intrusive and violent thoughts, exploring nightmares, frustrations, and the accumulated suffering of those who have clashed with a society incapable of understanding the unusual, the unheard-of, and the different. Its purpose is not limited to mere creative exercise; it seeks to honor those who lost the battle against depression, anxiety, and other mental conditions, while sharing its own struggle with these conditions.
Frankly Tired strives to imbue its works with a deeper dimension, urging the viewer to appreciate the neurodivergent perspective. Through challenges and reflections, it invites introspective analysis of past experiences. Its artistic vision aspires to connect the observer with emotions that they may not have fully explored.
Abandoned liminal spaces or sometimes inhabited by threatening golems. These are the landscapes presented to us as a way of shaping fears and frustrations. Its figures and spaces are created through code. The brush is replaced by mathematics and algorithms. The results are sought, but there is an element of chance in the whole game, the ghost in the machine interpreting the user/artist's commands. Unlike images generated by Artificial Intelligence, Frank's work focuses on controlling the form; the images are generated from the artist's imagination.
Just as Bacon studied movement in search of a more cerebral figuration, Frank subjects the machine to calculations about the texture and physics of its objects. A look at art from a technical perspective seldom seen in the national scene, if not unprecedented."

Daniel Milessi Arcondo

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