El Puente (2023) Digital Arts by Francisco Tabakman (Frankly Tired)
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This image is available for download with a licence
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Original Artwork (One Of A Kind)
Digital Arts,
2D Digital Work
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3D Modeling
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Digital Painting
on Paper
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Dimensions
43.3x31.5 in
Dimensions of the work alone, without framing: Height 39.4in, Width 27.6in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Digital Arts under $5,000 Surrealism Dark Fantasy
Las figuras humanas representadas en la obra son el epicentro de esta exploración. Consumidas y alteradas, se despojan de toda emoción e individualidad. La carne se fragmenta, desprovista de piel, cabello o cualquier característica distintiva, llevando a estas formas a un plano de existencia uniforme. Este proceso de deconstrucción visual busca transmitir la pérdida de identidad, donde la humanidad se desvanece para dar paso a una homogeneización deshumanizadora.
La obra no solo refleja la transformación física de las personas, sino que también señala la conceptualización de la humanidad como una extensión del capitalismo mismo. La metáfora visual resalta cómo, en este proceso, hemos sido engullidos, digeridos y finalmente expulsados como productos listos para la venta. La representación artística desafía a la audiencia a reflexionar sobre cómo nuestras identidades y esencias se ven moldeadas y transformadas por las fuerzas económicas y sociales contemporáneas.
Al explorar la despersonalización a manos de estructuras capitalistas, esta obra invita a cuestionar la influencia insidiosa que estas fuerzas ejercen sobre nuestras vidas. ¿En qué medida estamos siendo moldeados y manipulados, transformados en productos estandarizados para ser consumidos en la maquinaria del mercado?
La contemplación de esta obra nos lleva a confrontar la deshumanización inherente a la vorágine del consumismo desenfrenado. ¿Cómo podemos recuperar nuestra esencia y singularidad en un mundo donde la individualidad se disuelve en una maraña de productos intercambiables?
Esta obra busca despertar una conciencia crítica sobre la forma en que la industrialización y el capitalismo afectan no solo nuestro entorno físico, sino también la esencia misma de lo que significa ser humano. A medida que examinamos estas representaciones gráficas, se nos insta a considerar el camino que elegimos y a reflexionar sobre cómo podemos preservar nuestra humanidad en un mundo que, a veces, parece empeñado en despojarnos de ella.
Related themes
"The creations of Frankly Tired transcend the limits of conventional artistic expression. They act as mirrors reflecting situations marked by intrusive and violent thoughts, exploring nightmares, frustrations, and the accumulated suffering of those who have clashed with a society incapable of understanding the unusual, the unheard-of, and the different. Its purpose is not limited to mere creative exercise; it seeks to honor those who lost the battle against depression, anxiety, and other mental conditions, while sharing its own struggle with these conditions.
Frankly Tired strives to imbue its works with a deeper dimension, urging the viewer to appreciate the neurodivergent perspective. Through challenges and reflections, it invites introspective analysis of past experiences. Its artistic vision aspires to connect the observer with emotions that they may not have fully explored.
Abandoned liminal spaces or sometimes inhabited by threatening golems. These are the landscapes presented to us as a way of shaping fears and frustrations. Its figures and spaces are created through code. The brush is replaced by mathematics and algorithms. The results are sought, but there is an element of chance in the whole game, the ghost in the machine interpreting the user/artist's commands. Unlike images generated by Artificial Intelligence, Frank's work focuses on controlling the form; the images are generated from the artist's imagination.
Just as Bacon studied movement in search of a more cerebral figuration, Frank subjects the machine to calculations about the texture and physics of its objects. A look at art from a technical perspective seldom seen in the national scene, if not unprecedented."
Daniel Milessi Arcondo
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Nationality:
PARAGUAY
- Date of birth : 1988
- Artistic domains:
- Groups: Contemporary Paraguayan Artists
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