HIVER (2024) Painting by François Weber

Oil on Canvas, 23.6x28.7 in
$3,111.36
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  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 23.6in, Width 28.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative
Dans cette œuvre à l'huile semi-abstraite, j'ai tenté de capturer la beauté mélancolique d'un paysage hivernal en transition. La lumière douce se frayant un chemin à travers les arbres dénudés reflète un espoir naissant. Cette pièce oppose le calme réfléchissant de l'eau à la vivacité des ciels aux teintes vives. Elle apporte[...]
Dans cette œuvre à l'huile semi-abstraite, j'ai tenté de capturer la beauté mélancolique d'un paysage hivernal en transition. La lumière douce se frayant un chemin à travers les arbres dénudés reflète un espoir naissant. Cette pièce oppose le calme réfléchissant de l'eau à la vivacité des ciels aux teintes vives.
Elle apporte une atmosphère de contemplation et d'élégance naturelle.

Related themes

MarecageHiverContemplation

Automatically translated
Figurative marecage hiver contemplation
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François Weber Portrait
François Weber
France
Very early fascinated by the meeting of watercolorists, it was the beginning of a passion which has not been denied: first watercolors in the 80s using the so-called “wet” technique which allows him to translate[...]

Very early fascinated by the meeting of watercolorists, it was the beginning of a passion which has not been denied: first watercolors in the 80s using the so-called “wet” technique which allows him to translate the atmospheres he likes: morning mists, heavy skies, reflections in the water, foam from the waves, city lights, anonymous silhouettes...a universe where gentleness mixes with solitude, strangeness, sometimes worry.He then held exhibitions in Paris and in several cities in France.
After a few years of interruption he tried oils, but all the work had to be done again to rediscover the blurred atmospheres of watercolors. The painting gains in richness and strength without denying its past.
Between the figurative and the abstract the border is often tenuous, sometimes depending on a minimal detail on which the eye finds a reference. F.WEBER's painting goes from one to the other, the luminous atmosphere and the movement taking precedence over the subject.
After Paris and other cities in France, François Weber's oils have crossed borders: Rome, Milan, Beijing, Shanghai, Nantong, New York.

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