EVASION (2022) Painting by François Weber

Sold by François Weber

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 51.2in, Width 114.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Abstract Abstract
Ce triptyque ( 3 fois 130x97) est une improvisation sur l'Evasion, le temps qui passe, l'impermanence. Technique à l'huile dérivée de la technique de l'aquarelle "mouillée" pratiquée longtemps et adaptée à 'huile. Les grands formats autorisent des gestes large et donc une grande spontanéité donnant à la[...]
Ce triptyque ( 3 fois 130x97) est une improvisation sur l'Evasion, le temps qui passe, l'impermanence.
Technique à l'huile dérivée de la technique de l'aquarelle "mouillée" pratiquée longtemps et adaptée à 'huile.
Les grands formats autorisent des gestes large et donc une grande spontanéité donnant à la fois de la force et de la légèreté.
Tableau livré démonté avec le nécessaire pour le rigidifier et l'accrocher.
La livraison demande un délai de quelques jours pour fabriquer la boîte de transport.
PRIX 12000 EUROS Frais de transport inclus pour la France métropolitaine

Related themes

AbstraitÉvasionAbstraction LyriqueTriptyqueFluidité

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Very early fascinated by the meeting of watercolorists, it was the beginning of a passion which has not been denied: first watercolors in the 80s using the so-called “wet” technique which allows him to translate[...]

Very early fascinated by the meeting of watercolorists, it was the beginning of a passion which has not been denied: first watercolors in the 80s using the so-called “wet” technique which allows him to translate the atmospheres he likes: morning mists, heavy skies, reflections in the water, foam from the waves, city lights, anonymous silhouettes...a universe where gentleness mixes with solitude, strangeness, sometimes worry.He then held exhibitions in Paris and in several cities in France.
After a few years of interruption he tried oils, but all the work had to be done again to rediscover the blurred atmospheres of watercolors. The painting gains in richness and strength without denying its past.
Between the figurative and the abstract the border is often tenuous, sometimes depending on a minimal detail on which the eye finds a reference. F.WEBER's painting goes from one to the other, the luminous atmosphere and the movement taking precedence over the subject.
After Paris and other cities in France, François Weber's oils have crossed borders: Rome, Milan, Beijing, Shanghai, Nantong, New York.

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