Vue de la plaine (2022) Drawing by François Cusson

Pencil on Paper, 9.5x15.4 in
$712.97
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Sold by François Cusson
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This print is available in several sizes.

$28.90
$48.16
$101.68
Museum Quality
Customer's reviews Excellent
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Sold by François Cusson

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Plexiglass
  • Original Artwork (One Of A Kind) Drawing, Pencil on Paper
  • Dimensions Height 9.5in, Width 15.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $1,000 Figurative Countryside
La grande plaine qui borde les rives boisées de l'Essonne étend ses champs à perte de vue. Les lisières des bois s'avancent, plantées de pins et de broussailles qui chatoient sous le soleil du matin. Au loin, le hameau de Boisminard montre ses premiers bâtiments dans la poussière bleutée des lointains. Dimanche 8[...]
La grande plaine qui borde les rives boisées de l'Essonne étend ses champs à perte de vue.
Les lisières des bois s'avancent, plantées de pins et de broussailles qui chatoient sous le soleil du matin.
Au loin, le hameau de Boisminard montre ses premiers bâtiments dans la poussière bleutée des lointains.

Dimanche 8 mai 2022, 11h
Crayon bleu sur papier
Fond et plexi de protection provisoire, anneau d'accrochage

Related themes

EssoneGrande PlaineChampsLisièreBois

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Figurative Essone Grande plaine champs lisière bois pin broussaille Boisminard poussière
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François Cusson Portrait
François Cusson
France
François Cusson est un artiste basé à Paris. Après une formation en peinture, en architecture et en histoire de l'art, il part à la conquête de la lumière.  Engranger la lumière du dehors pour[...]

François Cusson est un artiste basé à Paris.

Après une formation en peinture, en architecture et en histoire de l'art, il part à la conquête de la lumière.

 Engranger la lumière du dehors pour la retravailler bien au calme dans le creux de l'atelier, après mûres réflexions, assaisonnées de couleurs nouvelles mais aussi naturelles.

 Point d'heures, point de saisons privilégiées dans ses rouges ou ses bleus mais plutôt des ressentis de fraîcheur ou de chaleur, d'ombres ou de soleil, de mollesse ou de dureté.

Parfois des diptyques où le spectateur est convié à faire lui-même la synthèse de ces extrêmes.

 Et que ce soit une fleur ou une cathédrale, un même souci de rendre avant tout leur grandeur.

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