M130 – Scène chypriote guerrier arbre chien (2009) Painting by Philhelm

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  • Original Artwork Painting,
  • Dimensions Height 19.7in, Width 19.7in
MINOEN / Bien que chypriote et d’une période bien plus récente que celle de la civilisation minoenne, j’ai classé ce tableau parmi les minoens. Il est inspiré d’un motif du XII ème siècle après J.C. et il est visible au musée médiéval de Limassol à Chypre, (où je n’ai pas été !) sa référence est : uw.LMRR 162/2 LM 1807. Je l’ai découvert dans un ouvrage[...]
MINOEN / Bien que chypriote et d’une période bien plus récente que celle de la civilisation minoenne, j’ai classé ce tableau parmi les minoens. Il est inspiré d’un motif du XII ème siècle après J.C. et il est visible au musée médiéval de Limassol à Chypre, (où je n’ai pas été !) sa référence est : uw.LMRR 162/2 LM 1807. Je l’ai découvert dans un ouvrage traitant des recherches archéologiques et ai été immédiatement saisi par le traité calligraphique et arabesque d’une exceptionnelle beauté. L’interprétation des trois images originelles est certainement différente : le guerrier était peut-être tout simplement un homme sans attribution particulière ? L’arbre était manifestement une lance ou un étendard que j’ai délibérément transformé pour des raisons d’esthétique. Quand au chien, c’était peut-être un second guerrier petit et ventru ? Pour en savoir plus, c’est bien peu ! Mais le courbement des traits reste le côté magique de ce tableau, unique en son genre ? Qu’en pensez-vous ?

Related themes

Guerrier Arbre Chien Dans Une Stylisation Chypriote Du 12 Ème Siècle.

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In truth, I am writing this to you without lying, the whole story of Philhelm begins in Alsace at the castle of Lichtenberg, on April 23, 1616, when Balthasar Helmlinger, aged 7, lost the Monogram of his eponymous[...]

In truth, I am writing this to you without lying, the whole story of Philhelm begins in Alsace at the castle of Lichtenberg, on April 23, 1616, when Balthasar Helmlinger, aged 7, lost the Monogram of his eponymous descendant. This banal and nevertheless extremely serious incident in the distant past, will trigger the artistic vocation of one of his descendants, 10 generations later!

This painter of today, born in Strasbourg in 1943, has seen his work exhibited and awarded twice in his life (1999 and 2001), and this, only at the “International Biennale of Contemporary Art of Florence” which gave him awarded the City of Florence Prize in 1999.

So that the vulgum pecus is totally disoriented from its experience, that it lets history enter into it without haste, enriched every day by our common ancestral past: whether it is Etruscan, Minoan or Babylonian, otherwise it will never penetrate into inside the paintings, to try to discover the secret causes of things.

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