Added Mar 18, 2003
After one first stylistic stage search, one moves, attracted by the psicodélica of the years ´60, as well as by the illustration of books celtas, by its anxiety of fantastic motley near Dadd, towards a painting whose constructive idea looks for the beginning of the elaboration of the picture on the figurative picture, supposedly finalized. It carries out, therefore, a game that takes as it bases the premises of the Gestalt, and the optical illusion that is deduced of formal and chromatic the relation, giving as result apparent "totus revolutus", but whose balance and harmony is obtained by means of the abstraction that is deduced of the distance of the vision of the picture, as well as of micro final histories which they are clarified as we approached mismo.A of años´90, since already a change derived from the desgranamiento of those is saying, takes place indeed micro histories and parallel to a poetic and vital transformation, where the forms pulverize, they are stumped, are outlined, where the figurative image is not lost completely and the stays fill of symbolism, of sensitive anecdote, where the textures have capacity, in that scope which the eyes find a place for the rest and the reflection.