Talm - La règle de seing Painting by Jean Luc Moreau Romain

Not For Sale

Seller Jean Luc Moreau Romain

Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork Painting, Acrylic / Other
  • Dimensions Height 42.7in, Width 31.9in
  • Categories Abstract
Calligraphies sous forme de triptyque en relief léger à la mine sur papier et milieu acryl sur toile. Dimension : large 81 x haut 108,5 cm sur une épaisseur de 5,3 cm 5 façons de lire dont deux régionales : 1° beaucoup plus la vie que parfaite 2° la vie beaucoup plus que parfaite 3°[...]
Calligraphies sous forme de triptyque en relief léger à la mine sur papier et milieu acryl sur toile.
Dimension : large 81 x haut 108,5 cm sur une épaisseur de 5,3 cm
5 façons de lire dont deux régionales :
1° beaucoup plus
la vie
que parfaite
2° la vie
beaucoup plus
que parfaite
3° beaucoup plus
que parfaite
la vie
4° que parfaite
beaucoup plus
la vie
5° la vie
que parfaite
beaucoup plus

Related themes

Contre-SensCalligraphieTriptyque

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At 15, Briard born in Paris, I wanted to be an inventor. Musician, I wanted to invent the "Electronic Instrument". At 16, my parents put me in the hands of Roger Plin, sculptor in Dammartin / Tigeaux then of[...]

At 15, Briard born in Paris, I wanted to be an inventor. Musician, I wanted to invent the "Electronic Instrument". At 16, my parents put me in the hands of Roger Plin, sculptor in Dammartin / Tigeaux then of his student Christian Gros and off I went! The studies of electronics, evaporated in the fouling of charcoal with in the evening a little guitar by the fire. I now invent other fields that I leave once targeted, otherwise, my role as inventor would not be fulfilled. Some friends can recognize my dough over 59 years of study, the gestures are always more or less the same, which annoys me. I tried to get rid of them but they come back through the window.
I paint - at least the gesture of the hands in connivance with the materials present - and hardly have time to listen to those who talk about it.
My masters: Bertholle (with whom we often clashed), Haramburu, Plin, Singier, Tholy and others known or not. I went to Gaston Bachelard around 16-17 years old with Roger Plin to draw and it is now that I digest his sayings which manifest themselves in the gestures of my erasures which little by little ripen the boil which is renouncing itself. I left the "professional" nomenclature to devote myself to pictorial research in accordance with my material conception of the philosophy of immanence very different from the concepts of what most people conceive of art while keeping the siret number which could become in the times to come the identity on which I keep an interest for these same people. The works present on this site are a small idea of ​​what I was able to do but many other things are voluntarily hidden because it is difficult to make a correct overview of them... the same is true for many of the photos present here, especially in color which depends more on the screen of the viewer often organized according to a charter different from the designer. For the dimensions, do not count on me, it is not my field

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