carátula pico-spátula (2010) Painting by Maria Del Carmen Pelletier Fontan

I was born in 1944 in the month of February the 2nd and the world of action in the art of painting in early December of the year 1977.Los were intuitive and completely autodidactas.La first experience gave me a lasting impression no doubt encourages my daily work, Painting, Photography and Modeling in less arcilla.A dates have now passed 32 years in which almost daily encounter with the muse nemesis is present.
Shortly after the first experiments with oil painting and tempted to grow and improve, I acquired several technical books on painting, so also, the History of Painting from the Editorial Salvat and biographies of various artists, mostly painters choosing the nineteenth and XX, the texts and illustrations by José M ª Parramon Vilasaló showed me the foundation's work pintora.Durante year 1980/92 lived in the village of Torrelodones, in a small house and there, mornings, afternoons and evenings, I worked hard and can not wait to get my pictures improve and enhance my personality as an artist. I went back then and drawing classes while working at carbocillo and classic models of chiaroscuro, I offered to make an early statement of the paintings which he created in my home workshop. It was in 1991 and 15 April, the Hon. City of the Alamo in its Socio-Cultural Center, opened its showroom for samples of my nascent leading Arte.Ya by that time I spoke with heterogeneous materials and variety of techniques, I have to comment that these samples were more impact caused to the public attending the exhibition.

(Note:) The minigaleria under the title "Classics of Yesterday and Today" is a display of paintings that were important and happy for the daily work of the painter. Some were made to study and most in the workshop of the artist. The taste of the landscape, the hidden memories of past tours, is present in both non-realistic images, rather reverie of memory. There is also a taste for floral motifs, another passion of the artist who grows his plants in few places are open for adaptation and are not exact copy of the model but, echoing the muse haciénse Nemesis, it evokes the dream of deja vu.


Chapter I

In 1992 I returned to Madrid installing my workshop in my first house still retained. My adaptation to the big city was difficult and sometimes painful, adding family problems which resulted personal crisis that resulted in revenue in different hospitals, going to give my bones in various psychiatric care units in that city that have their settlement. Meanwhile, and replacing my desire and my strength, I continued to paint and collect a considerable number of cadres, and also sheets with drawings on the computer, ie starting my experiences of Digital Art
During this difficult and no less creative period of time, fate brought me compensation to make three exposures, the most important is sponsored by the Madrid City Municipal Board of Tetouan, in the Centro Cultural Jose Esproceda in 1994 months day March 16 to 25. ...

• Nationality: SPAIN
• Date of birth : 1944
• Artistic domains:
• Groups: Contemporary Spanish Artists