"C" abécédaire russe-2004 (2004) Drawing by Baptiste Vanweydeveldt

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Seller Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 6 collections
Pour ce troisième feuillet, qui correspond initialement à l'appellation "Gimel", l'idée du "lancer d'action" , du voyage, de l'aller-retour ou d'un boomerang... on y voit d’ailleurs une télécommande, un appareil d'une enseigne de télécommunication... "grunding" néologisme forcée entre l'anglais[...]
Pour ce troisième feuillet, qui correspond initialement à l'appellation "Gimel", l'idée du "lancer d'action" , du voyage, de l'aller-retour ou d'un boomerang... on y voit d’ailleurs une télécommande, un appareil d'une enseigne de télécommunication... "grunding" néologisme forcée entre l'anglais "être en train de " et "gründ" : "raisonner" donc être en train d'agir par la télécommande? Qui est agit?..

Derrière la "sémiologie des unités discrètes de l'image" (j'aime bine la combinaison de ces termes...), je glisse de manière très personnelle le "Camel" , le chameau qui veut dire "beauté" en arabe, le parfait... L'attitude adéquate de l'intention et l'agir durant un long voyage écosophique (comme le défini Deleuze)...

En somme, "A": avoir de l'énergie pour investir,"B": faire place dans un lieu et "C": connaitre un lieu pour en partir et en revenir, voyager derrière la montagne "C" couché, dans l'espace et le temps "C" comme cycle de lune.
Lettre charnière qui consone d'avec le reste, le soi chez l'autre, mettre de l'autre en soi...
Baptiste Vanweydeveldt 2019

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Baptiste VanweydeveldtBaptiste.vwArt ContemporainAbécédaireCarnet De Voyage

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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