Painting titled "Amida-55x46" by Baptiste Vanweydeveldt, Original Artwork, Acrylic

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Amida-55x46 (2005) Painting by Baptiste Vanweydeveldt

Name: ARTMAJEUR
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Seller Baptiste Vanweydeveldt

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1175 px
	1500 px

Dimensions of the file (px)	1175x1500
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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This artwork appears in 2 collections

Original Artwork Painting, Acrylic

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 21.7in, Width 18.1in
Categories Paintings under $1,000 Outsider Art

Cette peinture est un geste de méditation, Brossée en quelques gestes sur une structure préétablie (que l'on retrouve sur d'autre.) depuis un geste noir sur le fond de la toile blanche, les successions de couche de couleur s'éclaircisse (bleu, gris, rouge,orange.). puis cette inscription "AMIDA" qui vient de "AMIDA ZEN", concept du silence, de la compréhension [...]

Cette peinture est un geste de méditation, Brossée en quelques gestes sur une structure préétablie (que l'on retrouve sur d'autre...) depuis un geste noir sur le fond de la toile blanche , les successions de couche de couleur s'éclaircisse (bleu, gris, rouge,orange...)
puis cette inscription "AMIDA" qui vient de "AMIDA ZEN" , concept du silence , de la compréhension (prendre avec) pour "être" sans intention (sous tension), relâcher...
Advient par dessus un collage , une feuille d'écriture pour rappeler le temps de l'apprentissage et une croix en adhesif, pour évoquer le pansement, la réparation , la protection...

Proche de l'Arte Povera , comme Tapiès ou à l'image de la méthode de Motherwell, ou Bram Van Velde, je construit une [image-magie] avec ce qui m’entoure dans l'instant en investissant chaque geste à mon sens symbolique...

C'est la recherche d'un image mentale, la même image qui m'échappe lorsque j'éveille le geste de peindre.

C'est la recherche d'une image indicissible qui est mouvement.

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Outsider Art

Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught artists.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Baptiste Vanweydeveldt

France

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.