LeND-collection de polaroids.2011 (2011) Photography by Baptiste Vanweydeveldt

Not For Sale

Seller Baptiste Vanweydeveldt

Artwork signed by the artist
Certificate of Authenticity included
Série de 11 fac-similés de Polaroids datant de la création de l'installation de LeND. Cette série retrace l'histoire de la transformation d'une table de ping-pong et d'une tête de lit dans un garage dans le but de construire une installation. Prises sur vif, dans le pur style de photos instantanés en mode automatique, ils évoque un style punk de la [...]
Série de 11 fac-similés de Polaroids datant de la création de l'installation de LeND.

Cette série retrace l'histoire de la transformation d'une table de ping-pong et d'une tête de lit dans un garage dans le but de construire une installation . Prises sur vif, dans le pur style de photos instantanés en mode automatique , ils évoque un style punk de la "destruction" d'un objet ou plutot le déplacement d'un objet usuel sur un autre plan, celui d'une oeuvre d'art...
Evoquant les instantanés de Andy Warhol à la factory ou les photos de tournage de films des années 80, elle ont un coté "vintage" et "collector".

Les polaroids seront numérotés et signés à l'attention des collectionneurs (série tirée à 11 exemplaires !).

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BaptistevwartBaptiste VanweydeveldtPolaroid ArtVintagePhoto Collector

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling [...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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