My Space 1 (2020) Digital Arts by Vicent Creatik

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... My space, my imaginary workshop and the place where paper as a metaphor for fragility, maybe mine, is here the main protagonist, absolute and preeminent ... material generally disposable and often discarded, it is undoubtedly the basic tool, our vehicle and the silent continent, the complicit and disinterested witness of thought and written ideas[...]
... My space, my imaginary workshop and the place where paper as a metaphor for fragility, maybe mine, is here the main protagonist, absolute and preeminent ... material generally disposable and often discarded, it is undoubtedly the basic tool, our vehicle and the silent continent, the complicit and disinterested witness of thought and written ideas or created images, free and often dispensable, or not. Introspective mirror of reflexions, emotions, frustrations, joys and tragedies ... after all, a faithful and addictive useful or useless object of our creative onanism. Paper landscapes, my paper works, my imaginary creative in a play of light and shadow that seek the physical of metaphysics in a paradoxical harmony designed to observe the real and the imaginary, silent narration or strident silence, what is or what it seems. .. The important thing is not only the understandable but also the exciting ... and it is useful for me.

UNIQUE ARTWORK

Work created from photomontages and sketches with charcoal, pencil and digital painting with treatment in Photoshop on PC. The support used for final printing is dibond aluminum 3mm.

Related themes

Fotomontaje DigitalConceptualFigurativoMetafisicaPepel Arrugado

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VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958. Draftsman, Painter, Illustrator, Digital Creative and Designer. Drawing or painting are no longer just traditional[...]

VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958.

Draftsman, Painter, Illustrator, Digital Creative and Designer.

Drawing or painting are no longer just traditional manual processes sheltered from canons, we are also technological and versatile, plastic creators can also be versatile and daring in techniques and styles, we reproduce and manipulate, draw, we paint, we type, we copy, we paste and we cut, we multi-copy, we print, we photo-montage, we act. We learn because we believe that creating is learning by searching for the new, and if not, we invent it. The important thing is to tell something to move people regardless of how to do it or what technique, category or trend they ascribe us to. Creating is just all that and it is at the same time more than what we are and believe and I leave everything else to the "ARTISTS", because Art is the quality that our creations will deserve from the judgment of those whom we move.< /p>

EXHIBITIONS:

Exhibitions in Private Galleries and Public Exhibition Rooms:
1991: Casa de la Vila. Manises (Valencia-Spain) Cultural Center. Mislata (Valencia-Spain)
1993: Sala la Marina. The Puig. (Valencia-Spain) Black Note Room. Valencia. (Spain)
1994: Casa Abadia Room. Castellon. (Spain) Classroom la Glorieta (Bancaja) Sagunt. (Valencia-Spain)
1995: Anagma Contemporary Art Gallery. Valencia. (Spain)
1996: Anagma Contemporary Art Gallery. Valencia. (Spain) Anagma Contemporary Art Gallery. Valencia. (Spain) Pictogram Gallery. Castellón (Spain)
1997: Anagma Contemporary Art Gallery. Valencia. (Spain)Studi Aperti. Venice (Italy) Spazio Otello. Venice-Mestre (Italy) Escada Quatro Gallery. Cascais (Portugal)
1,998: Sala Carlo Natale. Crispiano (Italy). José Catalunya Gallery. Santander (Spain) Im Gabla Gallery. Erlangen-Tennenlohe (Germany)
1999: Auditorium Hall of the University of Zaragoza. Zaragoza (Spain) Pictogram Gallery. Castellón (Spain) Alba Cabrera Gallery. Valencia (Spain) Black Note Room. Valencia. (Spain)
2002: Black Note Room. Valencia. (Spain) Alba Cabrera Gallery. Valencia (Spain)
2,006: La Oruga Azul Gallery. Valencia (Spain)



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