"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1094 px | ||
|
1500 px |
| Dimensions of the file (px) | 1094x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Photographs under $1,000
Related themes
The constructive spirit
As revealing as this rise is the permanence in all the great cultures of the constructivist processes, as part of common life, in media as dissimilar as tapestry, architecture, ceramics and painting. The peoples of Africa make particularly vigorous use of abstract definition, for example in the mural decoration of the facades, in clearly coherent sequences and destined for a celebratory or exaltation purpose. Auguste Herbin (France, 1882/1960) makes the most of this dynamism and incidentally captures its vitalist sense, more than the formalist sense of other European experiences. The work of the Venezuelan Arturo Carrión (Maturín, 1953) has been consistent in the exploration of the abstract universe in two and three dimensions, with a guiding principle that starts, according to a text by the artist, from the principle that “art is enough on its own”. himself” and has a realistic character to represent the vital synthesis that man seeks and raises as a testimony of his action on earth.
Thus we find an alternative position. The realism sought by the great pioneers such as Naum Gabò (1890/1977) who formulated in his "realist manifesto" the need to leave behind the "hieratic rhythms" and give art life and true movement. Carrión takes advantage of the flexibility of the structure in his two-dimensional works, trying most of the time to lean on a strong, contrasting color, provocative of an equally rhythmic reading. In the works deployed in space, the incorporation of color is a timely resource to accentuate the game of shapes and volumes; not to mention that it also takes advantage of the free, real movement of the parts. The work is a constructive program, in which the artist tries to add the chromatic and formal elements necessary to create processes that reveal a condition of exaltation, a kind of celebration of the living and the beauty of the art of creating.
Dr Roberto Guevara
Art critic - National Director of Museums - Venezuela - March 1987
His work is represented in museums, galleries -public and private- and institutions, as well as in private collections, both in Venezuela and in Canada, Spain, Colombia, Belgium, USA, Italy, England, France, Sweden, Germany. , Bulgaria, Austria, Portugal, Puerto Rico, Argentina, Colombia, Chile and Costa Rica. In Venezuela, its presence stands out in the National Art Gallery (GAN) and in the Museum of Contemporary Art of Caracas (MACSI). He has been deserving of a variety of awards and recognitions, and in 2001 he was the Venezuelan representative at "Euro-Art 2001" in Barcelona, Spain.
-
Nationality:
SPAIN
- Date of birth : 1953
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Spanish Artists
See more from Arturo Carrión
