Diario3110 (2007) Drawing by Claude Duvauchelle

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Drawing, 9.5x6.7 in

$446.21

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Original Artwork Drawing, Other

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 9.5in, Width 6.7in
Categories Drawings under $500

stylo sur papier About this artwork: Classification, Techniques & Styles Other Other

Claude Duvauchelle

France

Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of[...]

Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express the deep emotions, anxieties, and hopes of modern humanity. Through his art, Duvauchelle explores the alienation and struggles brought on by the violence of modern civilization, portraying humanity as regressing to a primal state, enslaved by its most destructive instincts.

Duvauchelle’s creative process is marked by a continuous evolution of techniques and themes, which allows him to avoid repetition and keep his work fresh. His early influences include the Quattrocento painters, particularly Mantegna’s "Dead Christ," where he was drawn to the dramatic interplay of light and shadow, martyrdom, and crucifixions. Géricault’s romanticism and the tragic body also left a significant imprint on his artistic journey, adding layers of sublimation to his tragic depictions.

In his recent works, Duvauchelle translates these classical inspirations into a modern context. He aims to illustrate the downfall of today’s world, capturing the alienation and evil rooted in both societal and individual violence. His allegorical representations speak to the universal human condition, reflecting the programmed decay of contemporary civilization.