Les tournesols en peine (2022) Painting by Emmanuelle Pellet

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 10.6in, Width 13.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Figurative War
Tournesols en peine Ce tableau évoque les conflits armés qui impactent les civils. Une jeune fille tourne le dos à un paysage de tournesols survolé par trois avions de combat. Le premier à gauche de la composition forme avec son panache de fumée une bande horizontale à la hauteur des grands yeux bleus de la fillette, comme s’il les avait[...]
Tournesols en peine

Ce tableau évoque les conflits armés qui impactent les civils. Une jeune fille tourne le dos à un paysage de tournesols survolé par trois avions de combat. Le premier à gauche de la composition forme avec son panache de fumée une bande horizontale à la hauteur des grands yeux bleus de la fillette, comme s’il les avait traversés. La lumière venant de derrière forme une auréole autour de la silhouette de l’enfant.
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Painter, illustrator, author, art historian and associate professor of Plastic Arts, Emmanuelle Pellet studied at the Ecole du Louvre and at La Sorbonne in Paris. She taught from college to university before[...]

Painter, illustrator, author, art historian and associate professor of Plastic Arts, Emmanuelle Pellet studied at the Ecole du Louvre and at La Sorbonne in Paris. She taught from college to university before directing the educational action of the Louvre Museum for ten years.

She has lived in Luxembourg, Mauritius, Singapore, and is currently based in Aix-en-Provence where she devotes herself fully to painting.

The heroes of his paintings live without angelism in a disenchanted world. She sketches them tenderly, caresses their features with her soft, fine brushes, repairs their flaws by giving them a luster they could not have hoped for, as if to allow them to slip into the unreasoning catalog of a famous master, or on the picture rails of a museum. These smooth fictions like distorting mirrors invite the viewer, between laughter and tears, devotion and provocation, to reflect on the boundaries of taste, culture, reality, life.

Emmanuelle Pellet is a member of the Taylor Foundation, represented by several online galleries. She is regularly exhibited in art galleries and her paintings are present in private collections around the world.

See more from Emmanuelle Pellet

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