Dock.jpg (2017) Painting by Eliza Matica

Oil on Canvas, 30.7x23.2 in
$367.33
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This artwork appears in 5 collections
  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 30.7in, Width 23.2in
  • Categories Paintings under $500
Doc | Canvas: 70 x 50 cm | Inramata: 78 x 59 cm | Tehnica: Ulei / pânză. Colectie privata Dock: Canvas: 70 x 50 cm | With frame: 78 x 59 cm | Oil on canvas. Private collection Să ne iubim pe ţărmul Mării Negre Ca două fragede fierbinţi statui Să fim întâia clasica pereche A omenirii noi ce încă nu-i.
Doc | Canvas: 70 x 50 cm | Inramata: 78 x 59 cm | Tehnica: Ulei / pânză. Colectie privata

Dock: Canvas: 70 x 50 cm | With frame: 78 x 59 cm | Oil on canvas. Private collection

Să ne iubim pe ţărmul Mării Negre
Ca două fragede fierbinţi statui
Să fim întâia clasica pereche
A omenirii noi ce încă nu-i.

Să ne iubim cât ne întreabă valul
Ce e cu noi, ce suntem şi ce vrem
Noi să-i răspundem cufundaţi cu malul
Ceva-ntre rugăciune şi blestem.

Ca un barbar ce ţine o tanagră
Aşa suntem pe-acest nisip noi doi
Şi stelele ce cad în Marea Neagră
Ridică valul sângelui din noi.

Să ne iubim hipnotizaţi de lună
Cutreieraţi de-al vaselor tangaj
Şi să ne viscolească împreună
Ninsorile de sare pe obraji.

Să ne iubim, păgâna mea atee
Iubito, marea seamănă cu noi
Suntem un Dumnezeu şi-o Dumnezee
Chemaţi să-nceapă lumea de la doi.

Să ne iubim pe ţărmul Mării Negre
Pe unde trec epavele călări
Să curăţăm întreaga lume veche
În fluxul şi refluxul noii mări.

Să ne iubim etern, noi, provizorii,
Cum niciodată, valul nu va sta
Eu spun că îngenunchi în faţa mării
Să nu spun că-ngenunchï în faţa ta.

Adrian Paunescu

Let's make love on the Black Sea shore
Like two hot statues
Let's be the first class mate
To the new humanity that is not yet.

Let us love our as we ask the wave
What is with us, what we are and what we want
We shall answer him immersed with the shore
Somewhere between prayer and curse.

Like a barbarian holding a tan
That's how we're on this sandy two
And the stars that fall in the Black Sea
He's raising the wave of blood from us.

Let's love hypnotized the moon
Shovel from the boats
And barking together
Snow on the cheeks.

Let's love us, my godfather
Sweetheart, the sea resembles us
We are God and God
You are called to start the world of two.

Let's make love on the Black Sea shore
Where the wrecks pass
Let's clean the whole old world
In the flow and the reflux of the new sea.

Let us love eternal, new, provisional,
As ever, the wave will not stay
I say kneeling in front of the sea
Do not say I'm kneeling in front of you.

Adrian Paunescu

Related themes

DockSeaSeascapeSuicideLove

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Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter . We will see... 2018-2019[...]

Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...

2018-2019 Postwar Abstract Painting MoMA   New York,New York,                                      United States                                                            
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania

All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.

In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!

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