Ave Maria (2022) Digital Arts by Elizabeth Mikellides

Digital Arts, 19.3x19.3 in
$824.3
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 9 collections
  • Original Artwork (One Of A Kind) Digital Arts, 2D Digital Work on Aluminium
  • Dimensions Height 19.3in, Width 19.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Digital Arts under $1,000 Conceptual Art
Visual Interpretation of Franz Schubert’s Ave Maria, where the notes have been translated into colour. This piece is a digital drawing produced on a highly durable metal called ChromaLuxe. It is the very first circular piece I have created and based on the longest music score I have translated to date. The finish is a contemporary[...]
Visual Interpretation of Franz Schubert’s Ave Maria, where the notes have been translated into colour.

This piece is a digital drawing produced on a highly durable metal called ChromaLuxe. It is the very first circular piece I have created and based on the longest music score I have translated to date.

The finish is a contemporary gloss and is easily cared for using a lint free cloth and any standard cleaning product. This is signed on the back and a certificate of authenticity can be provided also on request.

Related themes

Ave MariaVisualmusicGraphicscoreRound

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The intersection of music and drawing is at the core of my artistic practice.   My inspiration comes from music as I played the piano for several years and even considered becoming a professional pianist.[...]

The intersection of music and drawing is at the core of my artistic practice.  

My inspiration comes from music as I played the piano for several years and even considered becoming a professional pianist. As such, I have a strong personal respect and connection to music – especially to Bach! I am fascinated by lines and the fact that ‘straight’ lines don’t really exist. This is one of the reasons I choose to work digitally – to achieve a certain precision and the same applies to the colours I use. 

I prefer to work with colours made up of numbers and letters (via illustrator) rather than mixing paint on a palette. This way of working also helps me adhere to a system that I can use over an over again. Each music note has a specific colour so that when I translate pieces of music, one artwork can be easily referenced against another. 

Similarly, to language translation, we look for the most accurate word or phrase to employ when moving from one language to the next. This is what I am aiming to do. There is, however, an element of interpretation involved, since strict translation isn’t always possible – this is where the subjective element comes in to play. I may choose to depict the mood of the music in my visual work by applying a certain texture or use different shapes in my work. 

After some time teaching in Brussels, I returned to the UK in 2019, which is when I started creating art in a professional capacity since my art studies. I now enjoy taking commissions also, whereby I translate favourite pieces of music into their visual equivalents.

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