"Le couple" (1980) Painting by Elisabeth Chabin

Gouache on Paper, 25.6x19.5 in
$605.9
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"main sur l'épaule" par Elisabeth CHABIN Gouache et pastel - Signé. sur Canson AC grain Figurative dans ses thèmes — notamment le corps humain, les nus, les couples enlacés, les arbres —, ses sources d'inspiration peuvent se situer dans plusieurs séjours qu'elle effectue au Maroc où la découverte du désert[...]
"main sur l'épaule" par Elisabeth CHABIN
Gouache et pastel - Signé. sur Canson AC grain

Figurative dans ses thèmes — notamment le corps humain, les nus, les couples enlacés, les arbres —, ses sources d'inspiration peuvent se situer dans plusieurs séjours qu'elle effectue au Maroc où la découverte du désert l'oriente picturalement vers « une matière plus dense venant accrocher le regard », de même que l'été 1984 au plateau d'Albion lui offre la prise de conscience d'analogies formelles entre les troncs d'amandiers morts et les corps humains. Elle se rapproche cependant ensuite de l'abstraction lyrique par une libre exubérance des formes et des couleurs qui, progressivement, l'achemine vers une pure recherche sur les formes et la lumière par quoi elle ne désavoue pas une parenté avec Mark Rothko, pour finalement « revenir vers une figuration essentielle qui se revendique exploration de son rapport aux mondes des vivants, à la nature, à ses aspirations spirituelles »
(extrait Wikipédia)

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Bras Autour Des ÉpaulesAmitiéAmour

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Artist represented by Grandbazart
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Figurative in her themes — notably the human body, nudes, embracing couples, trees — her sources of inspiration can be found in several stays she made in Morocco where the discovery of the desert orients[...]


Figurative in her themes — notably the human body, nudes, embracing couples, trees — her sources of inspiration can be found in several stays she made in Morocco where the discovery of the desert orients him pictorially towards “a denser material coming to catch the eye”, just as the summer of 1984 on the Albion plateau offers him the awareness of formal analogies between the trunks of dead almond trees and human bodies. However, she then approaches lyrical abstraction through a free exuberance of shapes and colors which, gradually, leads her towards a pure research on shapes and light through which she does not disavow a kinship with Mark Rothko, to finally “return towards an essential figuration which claims to be an exploration of its relationship to the worlds of the living, to nature, to its spiritual aspirations” (Wikipedia extract)

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Gouache on Paper | 19.5x25.6 in
$472.71

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