vestiges de ruines/remains of ruins (2013) Collages by Eric Le Courtois

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  • Original Artwork (One Of A Kind) Collages, Collages / Acrylic on Canvas
  • Dimensions Height 94.5in, Width 68.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Collages under $20,000 Abstract
Durante siglos, los hombres no han cesado construir, derrumbar y luego volver a reconstruir, formando los escombros que se van acumulando y acumulando. Sería el futuro ¿por lo tanto la acumulación de la tierra de estos vestigios de ruinas? "Vestiges de Ruines" o vestigios de ruinas. es obra formando parte de una serie minimalista sobre[...]
Durante siglos, los hombres no han cesado construir, derrumbar y luego volver a reconstruir, formando los escombros que se van acumulando y acumulando. Sería el futuro ¿por lo tanto la acumulación de la tierra de estos vestigios de ruinas?
"Vestiges de Ruines" o vestigios de ruinas. es obra formando parte de una serie minimalista sobre vestigios de ruinas, una reflexión sobre las civilizaciones que se suceden así como los edificios sufriendo demoliciones y reconstrucciones que tuvieron lugar a lo largo de los años. Los vestigios de las ruinas:
Amontonamientos de materiales, suavizados por un blanco tranquilizador, con collages de madera. Vestigios de ruinas, pequeños pedazos de madera cuidadosamente recortados e ingeniosamente ensamblados
Los collages se convirtieron en esculturas, las láminas de cartón dieron paso a finas tiras finas de madera, y aparecieron cuadraditos de tela metálica.

Related themes

WhiteBlancBlancoConstructionConstructivisme

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ERIC LE COURTOIS. (ELECT)- 30 years of creation and as a witness of it, more than 2000 works from the infinitely small to the infinitely large, made mainly with mixed techniques, acrylics, watercolors,[...]

ERIC LE COURTOIS. (ELECT)-
30 years of creation and as a witness of it, more than 2000 works from the infinitely small to the infinitely large, made mainly with mixed techniques, acrylics, watercolors, collages and resins, in which the pen and ballpoint pen is also important and omnipresent, a trajectory evolving between abstraction accompanied by its pointillism, monochrome periods seeking the essence and depth of color, collage periods where the work becomes sculpture and graphic works
-1990 After having started experimenting with pastels, Eric continues with figurative watercolors and in 1990, he receives the first prize for young painting in his city. He then began a parade of exhibitions throughout France.
-1992/1995. Adventures through Europe. From that time, the inks on paper were his most outstanding work. Three years on the street will leave him exhausted but artistically strengthened.
-1995/2000 Abstraction took hold of him but he quickly mastered it and handled it more calmly. From these years, we highlight some mixed techniques with acrylic, watercolor, Chinese ink, gouache, most often accompanied by pen pointillism.
-2000./2004. New Mediterranean inspiration in Malaga and Mallorca. New workshop. Some works are born, more and more luminous, pointillism takes hold, collages begin,
-2004/2016. Long period on the island of Ibiza whose magnetism, luminosity, strength and contrasts inspire his works. Mixed media, wood, sand, stones, cardboard, metal, everything is used for his increasingly impressive collages. Monochromes, powerful blues, calming whites, pointillism, collages that become sculptures, so many series with a common point: the emotions that he lets us glimpse.
2016/2019 Zamora. A time of transition that nonetheless leaves us with extremely colorful pointillist works that are deeply moving.
2019 to present. Galicia, town of Ourense. Immediately after setting up his new workshop, the pandemic began, and these 2 events brought about a change in his work that became essentially graphic, with an incessant rhythm. More than 1,200 drawings in 3 years, a mixture of pointillism at the beginning, which quickly evolves into "bubbles", a work of bubbles for a life under a bubble.

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