The Great English Channel Fishing Fleet Disaster (2013) Drawing by Edwin Loftus

Pastel on Paper, 11x17 in
$1,369
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One of a kind
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  • Original Artwork (One Of A Kind) Drawing, Pastel on Paper
  • Dimensions 15x21 in
    Dimensions of the work alone, without framing: Height 11in, Width 17in
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $5,000 Illustration History
This drawing depicts either of the major fishing fleet disasters that struck the eastern coast of Scotland in the 19th Century. In August 1848 the 'Moray Firth Fishing Disaster'; A fleet of 800 small herring boats was hit by an unexpected storm. 124 boats were lost with 100 fishermen. An investigation followed and safety reforms[...]
This drawing depicts either of the major fishing fleet disasters that struck the eastern coast of Scotland in the 19th Century.
In August 1848 the 'Moray Firth Fishing Disaster'; A fleet of 800 small herring boats was hit by an unexpected storm. 124 boats were lost with 100 fishermen. An investigation followed and safety reforms were instituted.
But, on October 14th, 1881 the Eyemouth Disaster came, nonetheless, taking 189 lives.
These are two of the worst, but far from the only such disasters in the English Channel's history. 1806 and 1929 saw other large losses and 70 men were lost in the North Sea in the 1889 Grimsby disaster, (the famous shanty, 'Three Score and Ten' reports this, but also claims that, "From Yarmouth down to Scarborough many hundreds more were drowned."
That song is what I had in mind when I drew this.
I served on a 50 foot, wooden Purse Seiner, fishing for western salmon from Blaine Harbor in Washington State and north to Ketchikan, Alaska in the 1970s. Men died on boats around us, but fortunately not on ours.

Related themes

Fishing DisastersPeril On The Sea

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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.  As a child[...]

Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination. 

As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience. 

He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it. 

Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them. 

Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is.  It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future. 

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