Garden N°1/2 (2023) Painting by Comeg

Spray paint on Canvas, 29.9x24.8 in
$2,602.63
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This artwork appears in 1 collections
Garden 1/2, 2023 Technique mixte sur toile et béton, 76x63cm Mélange de style, de support et de texture. À mi-chemin entre sculpture et peinture, la série Garden se caractérise par une déclinaison de camaïeux de verts sur des toiles emprisonnées dans une enveloppe de béton arborant les codes du graffiti. Le[...]
Garden 1/2, 2023
Technique mixte sur toile et béton, 76x63cm

Mélange de style, de support et de texture.

À mi-chemin entre sculpture et peinture, la série Garden se caractérise par une déclinaison de camaïeux de verts sur des toiles emprisonnées dans une enveloppe de béton arborant les codes du graffiti.

Le béton n'est plus un simple support, mais devient un véritable médium.

Le graffiti. Langage universel que l'on retrouve d'un bout à l’autre de la planète.

Puis, la toile. Peinture abstraite, de prédominance verte évoquant un jardin dans une jungle de béton.

À travers cette série à consonnance écologique l'artiste dénonce la diminution du végétal dans l'espace urbain

Related themes

ArtbrutGraffitiStreet-ArtAbstraitContemporain

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Comeg, a contemporary French painter, epitomizes the spirit of a globe-trotter and ardent lover of discovery. His artistic journey unfolds across diverse landscapes, from Europe,[...]

Comeg, a contemporary French painter, epitomizes the spirit of a globe-trotter and ardent lover of discovery. His artistic journey unfolds across diverse landscapes, from Europe, including Italy and Spain, to the vibrant realms of Asia, encompassing Thailand, Laos, Vietnam, Cambodia, Malaysia, and the Philippines. The impressions of his extensive travels, experiences, and keen observations are now vividly reflected in his creations.

The artistic odyssey of Comeg began in school, where a profound passion for drawing took root, with much of his time dedicated to sketching, armed with a pencil. Around the age of 13, the omnipresence of graffiti in urban spaces became a transformative influence. Reminiscing about admiring massive lettering on Grenoble's highways from the back of his parents' car, Comeg's fascination with graffiti was ignited. This initial exposure to vibrant colors, chrome, and black painted on concrete walls marked the inception of his engagement with the world of graffiti.

From pure lettering and graffiti to abstract and photorealism, Comeg navigates seamlessly between various styles. His contemporary abstract works, hovering between sculpture and painting, encapsulate several facets. Concrete, transcending its role as a mere support, becomes a genuine medium. The codes of graffiti, embedded in his artistic DNA, represent a universal language found across the globe. The canvas, seemingly confined within a concrete casing, often portrays dark, abstract paintings reminiscent of a city plan, where buildings, streets, and roads coalesce.

Comeg's artistic roots are firmly grounded in graffiti and the urban environment. Paradoxically, his workshop in Uzès in the Gard, situated in the countryside, serves as the birthplace of his vibrant creations. Entering Comeg's world is akin to rediscovering something familiar - a raw yet comforting art that echoes his deep connection to graffiti, urban landscapes, and the transformative power of his extensive travels.

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