Eve (2022) Painting by Cindy Le Boucher

Acrylic on Canvas, 23.6x15.8 in
$964.32
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Sold by Cindy Le Boucher
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Sold by Cindy Le Boucher

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 23.6in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Symbolism Religion
Est-il possible de rendre encore une image moderne à Eve? Cette représentation de dos, le corps étiré attrapant le fruit défendu donne à ce personnage biblique une dimension contemporaine. La technique du vitrail en peinture fragmente les espaces et les unifie en même temps. [...]
Est-il possible de rendre encore une image moderne à Eve? Cette représentation de dos, le corps étiré attrapant le fruit défendu donne à ce personnage biblique une dimension contemporaine.
La technique du vitrail en peinture fragmente les espaces et les unifie en même temps.

Related themes

ÈveEdenArbreReligionVitrail

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Symbolism ève eden arbre religion vitrail vitraux coloré corps nu féminin femme
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Cindy Le Boucher Portrait
Cindy Le Boucher
Guadeloupe
A visual arts teacher, Cindy Le Boucher, 42, is a visual artist who confronts materiality. In her early days, she was particularly fond of metal and made sculptures that contrasted the coldness of matter with[...]

A visual arts teacher, Cindy Le Boucher, 42, is a visual artist who confronts materiality. In her early days, she was particularly fond of metal and made sculptures that contrasted the coldness of matter with the softness of poetry. For this, she draws her inspiration mainly from the writings of the German poet Hölderlin.

When she arrived in Guadeloupe in 2006, she became interested in Caribbean culture and mainly experimented with painting. His favorite themes are: the body and pain. How can the body carry a message? How can the body reveal our inner faith?

This work towards interiority continues on the occasion of the Festival Cri de Femmes in 2015. The opportunity for her to experiment with photography as an almost “sensory” means of expression. The photo is no longer the representation or illustration of reality, it reveals the "invisible" by revealing deformed bodies, uttering silent cries.

2018 will mark the return to painting with, in particular, a series of triptychs and a desire to bring out the poetic dimension of painting. How is the motif an access to the subtle?

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