''LE PAYS Où L'ON N'ARRIVE JAMAIS'' (2022) Painting by Catherine Villa

Sold by Catherine Villa

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork appears in 11 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 31.5in, Width 31.5in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Expressionism
Huile sur toile travaillée au couteau et au pinceau J'ai souhaité représenter deux personnages qui s'enlacent et se soutiennent. Je voulais représenter l'affection, l'amour partagé. Cette oeuvre parle de la rencontre de deux émotions qui s'unissent, de deux histoires qui se rejoignent. C'est la représentation[...]
Huile sur toile travaillée au couteau et au pinceau
J'ai souhaité représenter deux personnages qui s'enlacent et se soutiennent. Je voulais représenter l'affection, l'amour partagé.
Cette oeuvre parle de la rencontre de deux émotions qui s'unissent, de deux histoires qui se rejoignent.
C'est la représentation de la Vie et de l'affection partagée.
L’Homme dans ses émotions et sa relation aux autres est au centre des préoccupations de l'artiste.
Psychologue dans sa vie d’avant, pour Catherine, le temps passé à soigner les âmes a laissé des traces.
En regardant ces formes miraculeusement émergées, on s’immobilise. Cette image apparaissant dans la lumière, c’est Nous.
Comment vivons-nous? s'interroge-t-elle. Quelles émotions avons- nous et qu'en faisons-nous?
Aujourd'hui et depuis l'aube des temps, les hommes se cherchent, ils communiquent et échangent.

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AmourHumainPeinture HuileArtiste FrançaiseCatherine Villa

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Catherine Villa is a contemporary French artist known for her distinctive approach to oil painting, reminiscent of watercolors, on canvases that are fully saturated. Her artistic[...]

Catherine Villa is a contemporary French artist known for her distinctive approach to oil painting, reminiscent of watercolors, on canvases that are fully saturated. Her artistic process demands a perfect and skillful execution, emphasizing respect for the initial sketch. Villa's technique involves applying very thin layers in washing styles on soaked canvases. She employs rags to delicately wipe away overflowing colors, using very few brush strokes to maintain transparencies and enrich the material while simultaneously lightening it. Playing with dilutions, she carefully unveils the artwork, engaging in a process of revelation and concealment until the desired effect emerges from the ethereal mist of light.

In her paintings, dark values caress lights without overpowering them, and whites strive to retain their purity while colors shimmer alongside blacks that never reach a profound darkness. The result is a multi-layered work that invites the viewer's gaze to penetrate beyond the surface, creating a sense of depth in a third dimension that extends beyond the canvas.

Catherine Villa's artistic vision goes beyond the visual. She expresses a pursuit of the invisible through color vibrations and the simplification of shapes, creating a space for imagination and dream. In her works, she captures connected beings, traces of our passage through life, interwoven links between individuals or with their personal histories.

Villa believes in the existence of a hidden world within each of us, and she sees herself as an artist who unveils this concealed realm sporadically, akin to waves revealing rocks during low tide. Through her art, she gives birth to organic or human shapes that evoke emotions and, perhaps, serve as conduits to unearth buried memories.

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