Panic in Detroit (2023) Painting by Carriere De Glencoe

Acrylic on Canvas, 39.4x39.4 in
$2,066.6
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Mounted on Wood Stretcher frame
This artwork appears in 2 collections
Si le titre de cette toile est l’homonyme d’une chanson de Bowie où il décrit les violences sociales de 1967 aux USA, c’est sous l’influence musicale du groupe de métal industriel allemand Rammstein que cette composition a vu le jour. Construite avec du carton ondulé collé, la toile présente une scène urbaine de combat (ou de ruines après la[...]
Si le titre de cette toile est l’homonyme d’une chanson de Bowie où il décrit les violences sociales de 1967 aux USA, c’est sous l’influence musicale du groupe de métal industriel allemand Rammstein que cette composition a vu le jour.
Construite avec du carton ondulé collé, la toile présente une scène urbaine de combat (ou de ruines après la bataille). Les murs sont comme les lits (lieu de l’acte sexuel en général) cad en flammes (par passion), criblés d’obus (percés par des phallus). Quant au ciel, il renvoi à la violence des combats (amoureux) qui envahit tout l’espace. Il fait également écho aux jeux de lumières et à la pyrotechnie qu’utilise Rammstein lorsqu’il investit les grands stades pour ses shows.
Le travail est réalisé au café, à l’acrylique et à l’aide d’encres soufflées au sèche-cheveux.

Related themes

PassionLimitesViolenceSexeRammstein

Automatically translated
Expressionism passion limites violence sexe rammstein guerre ville destruction
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Carriere De Glencoe Portrait
Carriere De Glencoe
France
Born in Lille (France) in 1959, I have lived and worked in Dordogne for several decades now. As a home nurse, my creations are episodic, sometimes spaced between long periods of silence, but they have the common[...]

Born in Lille (France) in 1959, I have lived and worked in Dordogne for several decades now. As a home nurse, my creations are episodic, sometimes spaced between long periods of silence, but they have the common trait of very often being an outlet therapy. In January 2022, I retired and fell into severe depression. I then embark on a pictorial adventure which allows me to appeal to what resistance remains in me. Marginality attracted me very early on since it was based on an aesthetic and insolent, even provocative, approach. As a self-taught painter, my work is characterized more by a lack of knowledge of codes than by their rejection. In my artistic burst, I rebuilt myself there by searching for the own life of my paintings to try to find my “soul” there and then go, beyond my own identity, to meet you.

Automatically translated

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