L'urbinate 2 (2023) Painting by Bruscella & Capece

Not For Sale

Sold by Contemporaneo Lucano

  • Original Artwork (One Of A Kind) Painting, Plaster / Stained glass painting / Casting
  • Dimensions 13.8x13.8 in
    Dimensions of the work alone, without framing: Height 11.8in, Width 11.8in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is framed
  • Categories Conceptual Art Geometric
L'opera appartiene all'ultimo ciclo di lavori ispirati alle icone dell'arte. E' realizzata con colori acrilici e vernici speciali su bassorilievo in gesso trattato a foglia d'argento imit. Raffigura il particolare della testa di Federico da Montefeltro di Piero della Francesca. In questo ciclo di opere, pittura e scultura si[...]
L'opera appartiene all'ultimo ciclo di lavori ispirati alle icone dell'arte. E' realizzata con colori acrilici e vernici speciali su bassorilievo in gesso trattato a foglia d'argento imit. Raffigura il particolare della testa di Federico da Montefeltro di Piero della Francesca. In questo ciclo di opere, pittura e scultura si fondono e la sperimentazione è in continua evoluzione con l'uso di tecniche e materiali pittorici sia desueti che moderni, esattamente come i contenuti culturali a cui fanno riferimento. Da questi contrasti emerge la matrice culturale italiana ed europea dei due autori. L'opera presentata a Vittorio Sgarbi è stata da lui autografata sul retro a garanzia della qualità culturale del progetto artistico.

Related themes

PieroDella FrancescaFedericoMontefeltroUrbinate

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Artist represented by Contemporaneo Lucano
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In 2019 the artistic partnership between Antonio Bruscella (1976) and Nunzio Capece (1954) was born. Two different languages ​​and two generations from which ideas, projects and works are born that become new[...]

In 2019 the artistic partnership between Antonio Bruscella (1976) and Nunzio Capece (1954) was born. Two different languages ​​and two generations from which ideas, projects and works are born that become new cultural matter.

Every artist believes that their work is the best, if not the absolute best of art, and often minimizes, or worse, ridicules the work of others more or less openly, d' 039;on the other hand this also happened between Picasso and Matisse. Between Capece and Bruscella we have the opposite, the first figurative realist, the second abstract geometric, no point of contact; and it is from this apparent inconsistency that the latest works are born, in a hybrid language also in terms of techniques and materials.

For the two artists, figurative is a story because a work must tell, abstract or informal is atmosphere or emotion. And therefore from Bruscella's chromatically geometric canvases, silhouettes emerge inspired by more iconic prototypes, indifferently archaic or contemporary, to fill two-dimensional spaces, to arrive at the latest experiments with Capece's bas-reliefs which become three-dimensional supports for Bruscella's abstract constructions, in a mixture of old and new techniques reworked in a modern key.

Painting and sculpture itself become the product of this conceptual hybridization: and suddenly from an abstract composition by Bruscella, the portrait of Federico da Montefeltro emerges like a ghost, of the girl with the the pearl earring, or other icons of art or otherwise, visually perceiving the cultural link between ancient and contemporary, at the same time underlining the Italian and European roots of which the two artists are expressions and bearers.

A high-profile operation that attempts to bring back to the origins a cultural primacy and an identity that belonged to us. The audacious experimentation did not escape the attention of Vittorio Sgarbi who appreciated its spirit by affixing his autograph on the back of an 'Urbinate' on 30-06-2023 in Sant'Angelo le Fratte (Pz).

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