Paysage Imaginaire Miniature N° 11 (2019) Painting by Bernard Des Roseaux

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  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions 15x11.4 in
    Dimensions of the work alone, without framing: Height 5.1in, Width 5.1in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $500 Expressionism Countryside
Paysage de campagne composé pour la moitié supérieure d'un ciel très chargé de nuages, et pour la partie inférieure d'une rangée d'arbres dans les tons vert en horizon, et une rangée de buissons aux fleurs blanches et aux ombres ocrées rouge. About[...]
Paysage de campagne composé pour la moitié supérieure d'un ciel très chargé de nuages, et pour la partie inférieure d'une rangée d'arbres dans les tons vert en horizon, et une rangée de buissons aux fleurs blanches et aux ombres ocrées rouge.

Related themes

StructurePaysage À L'huileCielCieuxNuées

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He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc. He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage...,[...]

He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc.

He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage..., and sometimes associates them with each other (mixed techniques).

He painted many figurative themes, sometimes close to hyper realism (in particular portraits and scenes of life in dry pastel) . He is now evolving towards a much freer painting, with very eclectic themes, sometimes reaching the limits of the abstract.

Indeed, the subjects ultimately have little importance, even if he favors in particular the portraits, life scenes, increasingly imaginary landscapes.

He often works in series, with a given medium. This allows him to give free rein to his intuition more easily, because it prevents him from working too long each time on the same painting, and bouncing from one to the other.

He tends more and more to let the painting build itself, letting the composition establish itself as the work continues.

Registered at the Maison des Artistes in Paris (D155301), he presented about fifty personal or collective exhibitions in France.

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