, (2020) Sculpture by Baptiste Vanweydeveldt

Ma fascination pour les os est parallèle à l'intérêt que je porte au sacré... Considérer une mandibule comme la porte dorée de ce entre physiquement et ce qui s'exprime en sortant. Faite d'argile cuite sur une assise de bois, montée sur un socle de métal ; fils teintés ou cousus, plaqué d'une pellicule de feuille d'or[...]
Ma fascination pour les os est parallèle à l'intérêt que je porte au sacré...
Considérer une mandibule comme la porte dorée de ce entre physiquement et ce qui s'exprime en sortant.
Faite d'argile cuite sur une assise de bois, montée sur un socle de métal ; fils teintés ou cousus, plaqué d'une pellicule de feuille d'or et de peinture vinylique bleu pétrole, cette sculpture paraît être un Gaulois aux accents relevés.

Issus de la série des "Sloppy Céramics SpringSerie2020", elle tend vers l'éloge des arts premiers, conçu avec la parcimonie de trésors glanés, conservé jusqu'à l'attente d'activation du regard, je voudrai interroger ce qui nous restera qd nous auront épuisé nos ressources fossiles et la fragilité du monde par extension...

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BaptistevwartBaptiste VanweydeveldtArts PremiersArt SecondaireSloppy Céramics

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

See more from Baptiste Vanweydeveldt

View all artworks
Printmaking on Paper | 12.4x16.1 in
Not For Sale
Printmaking on Paper | 5.9x3.9 in
Not For Sale
Watercolor on Paper | 11.7x8.3 in
Not For Sale
Collages on Paper | 15.4x12.6 in
Not For Sale

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