Le Zèbre (2020) Sculpture by Baptiste Vanweydeveldt

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Zèbre est un nom vernaculaire, ambigu en français, pouvant désigner plusieurs espèces différentes d'herbivores de la famille des équidés, et du genre Equus, vivant en Afrique. Ils se trouvent principalement en Afrique centrale et australe. Ces animaux se caractérisent par des bandes de rayures. Par ailleurs, Un enfant zèbre se reconnaît[...]
Zèbre est un nom vernaculaire, ambigu en français, pouvant désigner plusieurs espèces différentes d'herbivores de la famille des équidés, et du genre Equus, vivant en Afrique. Ils se trouvent principalement en Afrique centrale et australe. Ces animaux se caractérisent par des bandes de rayures.
Par ailleurs, Un enfant zèbre se reconnaît à des signes distinctifs. "Il présente une intrication singulière entre sa façon de penser et son comportement émotionnel". C'est à la fois son développement intellectuel et sa dynamique affective qui soulignent sa différence. En effet, cet enfant dispose d'une intelligence qualitativement différente, leur indice de QI est égal ou supérieur à 130 et d'une hypersensibilité émotionnelle. Leur structure cognitive est différente, tout comme leur sensibilité...

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Baptiste VanweydeveldtBaptistevwartStatue ContemporaineArt SecondaireZébré

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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