polyptyque LeND#2 (2019) Painting by Baptiste Vanweydeveldt

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Panel
This artwork appears in 4 collections
5 frames framed by a line of wood, acrylic, graphite and glued paper 5 paintings recovered over 7 years by donation or in the street ... Set made and chosen according to the thickness of the frame then heightened with blue wash and wiping around the representation of one of the modules of "LeND" (installation combining a headboard and a cut-out[...]
5 frames framed by a line of wood, acrylic, graphite and glued paper 5 paintings recovered over 7 years by donation or in the street ... Set made and chosen according to the thickness of the frame then heightened with blue wash and wiping around the representation of one of the modules of "LeND" (installation combining a headboard and a cut-out ping-pong table) ... A shape appears, I am told about a house roof, a turtle, an effusion ... I think of Hokusai, of the landscape ... And You? What do you see ? It's been years that I haven't painted seriously (unlike 20-25 years ago when I painted every day!) Of course there have been "small" paintings "attempts, fun, research on different supports with different techniques ... But it's as if, all these experiments were a preparation for this series of paintings ... A few years ago, painting for me was like a diary and a daily need, then following studies and deepening on what had been done in painting and art until today, as if to situate myself in a practice in the eyes of others, I began to doubt the interest of telling my excitement, wanting to demonstrate technique ... The process of creation took the front (I called it the "nihilism of the hand" in opposition to "the praise of the hand" (last chapter of the book by Henri Foncillon, author of "la vie des forme"); I especially tried to experiment with a vocabulary plastic ular which has clean me in order to free myself from the wait for a result ... the choice to take again fabrics which are not started by me, to do as little as possible, allows me to make between more of reality, and to be in the pure arrangement of ideas ... This does not mean that I take everything and anything, on the contrary, there is a drastic choice on my part, if there is nihilism of the hand, there is no nihilism of values, each space is arranged over a long enough time (for example this painting has been preparing since 2014-15, and all "that is not done" usually in painting must be justified in a set of gestures ... Baptiste Vanweydeveldt, 2020.

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BaptistevwartBaptiste VanweydeveldtPeinture AbtraitePolyptiqueDgm

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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