My essential space 14 (2021) Digital Arts by Vicent Creatik

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Ideas created where spaces, shapes, figures or elementary materials require light and shadow to be the protagonists of their own essentiality and to be understood as tangible. Representation of an imaginary space, maybe the ours, to show a work created on paper where the intentionally chaotic lines give form to a figure that, clinging to them, tries[...]
Ideas created where spaces, shapes, figures or elementary materials require light and shadow to be the protagonists of their own essentiality and to be understood as tangible. Representation of an imaginary space, maybe the ours, to show a work created on paper where the intentionally chaotic lines give form to a figure that, clinging to them, tries to give meaning and testimony of its existence, inside or outside that space, as an object form in process, unfinished, evanescent and ephemeral, or not ..., but maybe just like us. Scene designed to propose that another beauty can make its way into a dialectic where doubt gives way to critical thinking and imagination. Only poems of silence and introspective noise, nothing more ... that which is seen to find, or not, what perhaps does not exist, or if, or has no association with the real because everything is imaginary and is only a representation, or not that much...

Unique work in format 90 x 72 . Digital print on aluminum and unlimited edition on paper.

Related themes

Dibujo DigitalPintura DigitalConceptualFigurativoLineas

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VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958. Draftsman, Painter, Illustrator, Digital Creative and Designer. Drawing or painting are no longer just traditional[...]

VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958.

Draftsman, Painter, Illustrator, Digital Creative and Designer.

Drawing or painting are no longer just traditional manual processes sheltered from canons, we are also technological and versatile, plastic creators can also be versatile and daring in techniques and styles, we reproduce and manipulate, draw, we paint, we type, we copy, we paste and we cut, we multi-copy, we print, we photo-montage, we act. We learn because we believe that creating is learning by searching for the new, and if not, we invent it. The important thing is to tell something to move people regardless of how to do it or what technique, category or trend they ascribe us to. Creating is just all that and it is at the same time more than what we are and believe and I leave everything else to the "ARTISTS", because Art is the quality that our creations will deserve from the judgment of those whom we move.< /p>

EXHIBITIONS:

Exhibitions in Private Galleries and Public Exhibition Rooms:
1991: Casa de la Vila. Manises (Valencia-Spain) Cultural Center. Mislata (Valencia-Spain)
1993: Sala la Marina. The Puig. (Valencia-Spain) Black Note Room. Valencia. (Spain)
1994: Casa Abadia Room. Castellon. (Spain) Classroom la Glorieta (Bancaja) Sagunt. (Valencia-Spain)
1995: Anagma Contemporary Art Gallery. Valencia. (Spain)
1996: Anagma Contemporary Art Gallery. Valencia. (Spain) Anagma Contemporary Art Gallery. Valencia. (Spain) Pictogram Gallery. Castellón (Spain)
1997: Anagma Contemporary Art Gallery. Valencia. (Spain)Studi Aperti. Venice (Italy) Spazio Otello. Venice-Mestre (Italy) Escada Quatro Gallery. Cascais (Portugal)
1,998: Sala Carlo Natale. Crispiano (Italy). José Catalunya Gallery. Santander (Spain) Im Gabla Gallery. Erlangen-Tennenlohe (Germany)
1999: Auditorium Hall of the University of Zaragoza. Zaragoza (Spain) Pictogram Gallery. Castellón (Spain) Alba Cabrera Gallery. Valencia (Spain) Black Note Room. Valencia. (Spain)
2002: Black Note Room. Valencia. (Spain) Alba Cabrera Gallery. Valencia (Spain)
2,006: La Oruga Azul Gallery. Valencia (Spain)



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