Collages titled "Calisyl Guerre" by Armando Garlun, Original Artwork

Calisyl Guerre (2012) Collages by Armando Garlun

Not For Sale

Sold by Armando Garlun

Certificate of Authenticity included

This artwork appears in 1 collections

Original Artwork Collages, on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 31.5in, Width 47.2in
Categories Collages under $5,000 Abstract

Calisyl Guerre Collection "Crystals" 80cm x 120cm unique with frame Painting inspired by crystals and the interconnection of them Mixed media made by PVC, cement, gypsum and acrylic About this artwork: Classification, Techniques[...]

Armando Garlun

Switzerland

Armando García Luna (A.Garlun) INDIVIUDAL EXHIBITIONS Jun 2014 Rencontres improbables. Gallery Hotel Landgasthof-Riehen (Riehen) Apr 2014 L’énigmatique légende Maya. A La[...]

Armando García Luna (A.Garlun)

INDIVIUDAL EXHIBITIONS
Jun 2014 Rencontres improbables. Gallery Hotel Landgasthof-Riehen (Riehen)
Apr 2014 L’énigmatique légende Maya. A La Chotte gallery ,(Romanel-sur-Lausanne)
May 2013 Variations, CarArt (Lausanne)
Apr 2013 Variations. Gallery Hotel Landgasthof –Riehen (Riehen)

COLLECTIVE EXHIBITIONS
Jun 2014 Abstractions, Abstractions, Gallery Art & Emotion (Lausanne)
Mar 2014 Couleur du Printemps, Swiss Art Space, (Lausanne)
Mar 2014 Artraction, (Genève)
Jun 2013 Galerie du Tilleul (Champtauros)
Jun 2013 Erotica, Espace Swiss Art Space (Lausanne)
Mar 2013 Galerie Art & Emotion (Lausanne)
Dic 2012 Galerie Nelly L’Eplattenier (Lausanne)
Nov 2012 Exposition CarArt (Lausanne)

Armando Garcia Luna ( A. Garlun) born in Monterrey, Mexico when the country was in full cultural and intellectual growth, passed the modern age and the influence of the European Avant –garde movement in Mexico. Aware of it, and nourished from the current pictorial and scientific knowledge, he advanced in several professional and vocational fields.

His talent and creativity, and I would dare to say passion in the arts field, has been the engine in the search of the beauty and understanding of the human universe. He initiated his studies in the Plastics Arts at the end of the 60’s incurring in different fields as painting, stage sets, fashion design in theater and TV, becoming artistic director of soap operas for one of the most important television companies in Mexico.

Garlun’s scientific research and spiritual preparation has taken him to investigate, to risk and win; imagine, create and materialize; research and find and introduce us with a sequence, going from the absent of color through all color tones, to go as far as the pure blend of all of them.

Shape, color, approach, representation, light, shadow. His pictures challenge the spectator, so his eyes can find what emerges from the white, complement emotion, feeling; to merge one glimpse into one look. Garlun presents his art to look at and through it. Takes from the raw material, which he knows microscopically, what it wants to transmit and achieves it through its form from its own materiality, and presents it to us in, such a way, immersing us in a world free of rules but full of colors and expressions. Millimetric precision in the use of elements, juxtaposition in its points (but not for pointillism), its lines, the use of sheets almost imperceptible to the eyesight, builds and immerses us to the crystalline world of his reality. Relief building forms, forms creating tales, tales telling stories, stories of the daily life, from his and ours, including passion, strength, will, which could be chaos or could end in peace.”