Illusions Perdues (2024) Collages by Annabelle Amory
Sold by Annabelle Amory
This image is available for download with a licence
Sold by Annabelle Amory
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Original Artwork (One Of A Kind)
Collages,
Acrylic
/
Collages
on Canvas
- Dimensions Height 19.7in, Width 19.7in
- Artwork's condition The artwork is in very good condition
- Framing This artwork is not framed
- Categories Collages under $5,000 Figurative Women Portraits
Ces illusions perdues sont en effet des désillusions, un fossé entre les attentes, les espoirs et la réalité. C'est ce qui s'est passé lorsque je me suis lancée en tant qu'artiste professionnelle. J'étais naïve et un peu trop confiante. Je pensais que ça allait marcher, que les toiles se vendraient facilement, qu'il suffirait de peindre, que les galeries allaient m'accepter... Et j'ai été confrontée aux modes, aux tendances, aux expositions et salons payants, à la concurrence, à la place prépondérante des réseaux sociaux et la loterie de leurs algorithmes, au business, à l'hypocrisie... Ca a été dur, ça m'a remise en question. Je tiens maintenant depuis presque 8 ans en ayant revu mes objectifs à la baisse, voire en ayant supprimé toute forme d'objectif. Maintenant, je peins ce que j'ai envie, quand j'en ai envie. Je publie sur les réseaux sociaux sans me focaliser sur les likes et les commentaires, ni sur le nombre d'abonnés. J'ai abandonné l'idée d'exposer en galerie. Je n'organise quasiment plus de vernissage puisque ça ne me correspond pas. J'ai en fait laissé partir mes rêves de notoriété pour juste me concentrer sur l'essentiel : faire passer des messages à travers mon travail.
Support : repentir d'une ancienne toile.
Papier : Illusions Perdues, d'Honoré de Balzac, trouvé en librairie d'occasion.
Related themes
Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.
So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.
The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?
Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.
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Nationality:
FRANCE
- Date of birth : 1988
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
Annabelle Amory: Art allowed me to exteriorize this nonconformism
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