Male Gaze (2023) Collages by Annabelle Amory

Collages on Canvas, 31.5x15.8 in
$1,343.59
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Sold by Annabelle Amory
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Sold by Annabelle Amory

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Mounted on Wood Stretcher frame
This artwork appears in 4 collections
Théorisé par Laura Mulvey en 1975, le "male gaze", ou "regard masculin", se définit d'abord au cinéma puis dans les autres formes d'art comme la façon dont les hommes s'approprient les corps féminins : caméra qui s'attarde sur les jambes, les fesses, la poitrine, éclairage différent entre les personnages masculins[...]
Théorisé par Laura Mulvey en 1975, le "male gaze", ou "regard masculin", se définit d'abord au cinéma puis dans les autres formes d'art comme la façon dont les hommes s'approprient les corps féminins : caméra qui s'attarde sur les jambes, les fesses, la poitrine, éclairage différent entre les personnages masculins et féminins, nudité gratuite et exclusivement féminine, etc. Le male gaze s'installe selon une équation simple : le réalisateur masculin réalise son film, produit par des hommes, pour un public masculin. La théorie va même plus loin puisqu'elle accuse ce male gaze de véhiculer des messages comme la culture du viol, surtout lorsque la femme résiste un temps avant de s'abandonner et finalement apprécier l'étreinte. C'est cool les agressions sexuelles en fin de compte!

Dans cette toile, j'ai utilisé uniquement des visages masculins issus de différents types d'art (cinéma, bande dessinée, peinture, littérature) dont le regard constitue la peau même de la femme qui se cache derrière son drap pour éviter autant que possible de subir ce male gaze.

Related themes

Male GazeCinemaWomanGirlMovie

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Figurative male gaze cinema woman girl movie
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Annabelle Amory Portrait
Annabelle Amory
France
Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above[...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in Artmajeur Magazine:
Annabelle Amory: Art allowed me to exteriorize this nonconformism Annabelle Amory: Art allowed me to exteriorize this nonconformism
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