La Norme (2022) Collages by Annabelle Amory

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Collages, Acrylic / Collages on Canvas
  • Dimensions Height 15.8in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Collages under $1,000 Figurative
Première d'une longue série, ce portrait en cadrage très serré évoque la norme et le conformisme dans notre société. En haut et à gauche de la toile, se trouvent le travail et les enfants, tandis que, en miroir grâce au fil blanc, en bas et à droite on voit apparaître l'art et la désobéissance. Les cheveux de la jeune femme se confondent[...]
Première d'une longue série, ce portrait en cadrage très serré évoque la norme et le conformisme dans notre société. En haut et à gauche de la toile, se trouvent le travail et les enfants, tandis que, en miroir grâce au fil blanc, en bas et à droite on voit apparaître l'art et la désobéissance.
Les cheveux de la jeune femme se confondent dans le fond, comme si elle disparaissait littéralement à cause de la norme, mais la main à droite, levée, commence à faire pencher la balance et donne bon espoir que c'est l'anti-conformisme qui gagnera à la fin.
Papiers utilisés : captures d'écran de vieux films américains en noir et blanc (comme les Temps Modernes de Chaplin), cartes "bébé" du jeu le Menteur, reproductions d'œuvres d'art (Gauguin, Klimt) et représentation de Mulan, de Disney, entrain de se couper les cheveux.

Related themes

NormePortraitWorkWomanGirl

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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above[...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in Artmajeur Magazine:

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