Le Passage (2022) Collages by Annabelle Amory

Aucune photo ne saurait rendre hommage à la chaleur de cette toile. J'ai beau la balader partout dans l'appartement, elle reste fade face à mon téléphone portable. Pour en profiter pleinement, il faudra venir la voir en vrai! Le Passage est une peinture qui parle du "Jour des Morts", cette fête mexicaine très colorée et très[...]
Aucune photo ne saurait rendre hommage à la chaleur de cette toile. J'ai beau la balader partout dans l'appartement, elle reste fade face à mon téléphone portable. Pour en profiter pleinement, il faudra venir la voir en vrai!
Le Passage est une peinture qui parle du "Jour des Morts", cette fête mexicaine très colorée et très festive malgré son thème macabre. Elle célèbre le souvenir, la mémoire, plutôt que le deuil et l'oubli. J'ai choisi le titre de "passage" puisque la fleur typique utilisée dans les rites est l'œillet d'Inde, dont la symbolique est forte : elle est considérée comme psychopompe, c'est à dire qu'elle conduit l'âme du mort vers l'au-delà. Tout comme la mort, qui est le passage d'un état à un autre, et non pas une fin en soi.
J'ai utilisé dans cette toile des cartes à jouer et des petites attaches parisiennes colorées.

Related themes

Santa MuerteMortDeuilJour Des MortsDia De Los Muertos

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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above[...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in Artmajeur Magazine:

See more from Annabelle Amory

View all artworks
Collages on Canvas | 31.5x15.8 in
$1,326.1
Collages on Canvas | 15.8x7.9 in
$523.66
Collages on Wood | 11.4x9.5 in
$391.38
Collages on Canvas | 11.8x9.8 in
$337.81

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