Ange dans la rue (1988) Painting by Ange

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La rue, ha woui ! La rue, tout un programme, c'est la life, c'est le partage sans conditions, tu veux voir ? Et bien regarde, l'art gratuit pour tout le monde, matières plastiques thermoformées et huile sur toile. About this artwork: Classification,[...]
La rue, ha woui ! La rue, tout un programme, c'est la life, c'est le partage sans conditions, tu veux voir ? Et bien regarde, l'art gratuit pour tout le monde, matières plastiques thermoformées et huile sur toile.

Related themes

Ange Artiste UrbainStreet ArtPeindre Sur Les Murs De L'artArt Recyclage DéchetsSculpture Plastique Recyclé

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I paint of course everything and above all I paint, since my early childhood, at the age of 14 I have become aware of the dangers of pollution and climate change since I created my works with recovered[...]

I paint of course everything and above all I paint,

since my early childhood, at the age of 14 I have become aware of the dangers of pollution and climate change since I created my works with recovered objects, but especially the plastic that I thermoform and amalgamate to intervene with colors and sometimes I insert automatic mechanisms and/or sound lighting as well as playful interactions with the public, since the ;origin of my art (80s) I am an avant-garde precursor of these artistic techniques.

urban artist since the 80s and actor of free figuration affiliated with the school of Nice, I also do mail art since 1979.

Rat d'art

Culture is a kind of cheese, a big cake with holes. But these holes, you have to 1/find them 2/get into them. It's not obvious. Ange is a rat, he has a pointed muzzle, a moving nose, hair and whiskers. His eyes are both confident and distraught. It is a city and country mouse. Culture, for him, is that huge piece of disgusting Swiss cheese or sugar with underground (art) galleries, corridors, nooks and corners and traps with springs, fearsome mouths of fags to smash. the column of little mickeys. Ange hangs around, he scavenges, he picks up the crumbs. He laughs with the debris.

Pierre TILMAN, Avignon, 1989

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