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THE DIVINE CHARIOT (2019) Tablo Anandswaroop Manchiraju tarafından
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Anandswaroop Manchiraju tarafından satılır
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Orijinal sanat (One Of A Kind)
Tablo,
Tuval tarihinde
Petrol
- boyutlar Yükseklik 31in, Genişlik 42in
- Çerçeveleme Bu resim çerçeveli değil
- Kategoriler Resimler $5.000'nun altında Soyut sanat
Krishna Janamashtami is observed as the birth day of the 8th Avatar of Lord Vishnu, on the 8th day of the dark half Hindu month of Shraavana, normally falls between mid August and mid September, when the Moon is in Rohini Nakshatra. Krishna is famous for many things, one of the most well known is Bhagavad Gita, which is the conversation between Krishna and Arjuna before the great Battle of Kurukshetra and is considered as a philosophical and literary classic of all times.
Look at the Geeta Upadesam picture. There is a chariot in the battle field of Kurukshetra. Arjuna as a passenger is seated at back. The chariot is driven by a charioteer (driver) Lord Krishna. HE is holding the reins. There are horses leading the chariot. There are reins controlling the horses. Collectively this composes one full picture of the chariot. But where was this chariot taken? It was taken right into the midst of two fighting armies. If Arjuna was going to war, why was Krishna holding the reins? What does this signify?
Just reciting Bhagavad Gita is not enough unless we understand the inner meaning of it. Gita teaches us in a simple and easy way by this picture. By proper inner enquiry, we can understand the fullness of this picture which signifies everything that is contained in life.
The picture is symbolic of our inner instruments to train the mind and senses. This is a very concise and beautiful description, symbolic and full of meaning and profundity.
The chariot is the Sarira (body). The passenger Arjuna is the Jivi (embodied individual soul). The charioteer Krishna is the Atma (Self, sometimes referred as Higher Intellect or Buddhi) leading the chariot into the middle of two armies of Kauravas (Demonic nature) and Pandavas (Divine nature) in the battlefield of Kurukshetra (Inner Battle of Mind). The reins are the operations of the Manas (Mind). The horses are the Indriyas (senses, such as, eyes, ears, nose, tongue, etc.) The roads along which this chariot is driven are the objects of the senses. All this is made possible by a joint activity of the Atma/Higher Intellect, the Senses and the Mind.
You may forget the historical battle of Mahabharata, but don’t forget the message contained in it. In fact, the battle is still going on every day within us; this is the fight between our demonic and divine qualities. There has always been a struggle between the two. In this conflict between opposing forces, Krishna (Self, Atma, Higher Intellect) is ever on the side of Dharma (Righteousness) - the reality which sustains, not the delusion which undermines. If you seek to have the Lord on your side as your guide, equip yourself with the divine nature, the qualities of Dharma. For the Lord is where Dharma is. This chariot is to be driven right to the Destination which is Perfection, Self Realization. Horses may dash down the chariot into a ditch if they are restive, tired, unwilling, and cannot see the road properly.
The Bhagavad Gita is the story of invoking and trusting Divine Guidance in order to gain Peace and Enlightenment. And, although we must fight this battle alone, we are not truly alone. We have Divine Guidance, our personal Charioteer, our Krishna, and our Atman assisting us throughout every battle we must fight with each of our Inner Demons.
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Anand Manchiraju is an internationally acclaimed, award-winning artist based in India. Living close to Himalaya Mountains, he is inspired by the splendors of nature although his subjects vary from landscapes to cityscapes, still life, figurative, portraits, some digital art and Hindu gods and goddesses.
Anand considers himself an artist by birth, photographer by profession and sculptor by practice. He is an experimentalist at heart. He enjoys experimenting with art style, medium and the tools he uses. He has worked with traditional oils on canvas, acrylics on canvas to his own unique mediums - photographic chemicals on bromides (which he calls photo-paintings) and oil and acrylic on x-ray films.
Anand’s artistic style ranges from impressionistic to abstract.
Anand Manchiraju Artist Biography
Indian Anand Manchiraju developed a passion in his childhood for painting, influenced by his father, a famous artist. Upon graduation from JNTU, India, Anand started a career as an artist in government. He has also been involved in promoting arts for 30 years as President of Andhra Academy of Arts. He has completed over 3000 artworks and has also been honored with 30 solo shows across India. In addition, Anand has participated in international exhibitions across the world winning numerous awards for his work.
Anand Manchiraju Artist Statement
When I reflect upon my long association with art, I find that the creative process is just as intriguing and rewarding as the final outcome of my projects. This desire to create has always been strong even when others have tried to dissuade me. The internal push to create has given me an appreciation for the process of exploration, patience, and the beauty of art. I believe this creative and explorative journey has become about freedom to create and the freedom to express myself.
Visit Anand at the below links to learn more about him, his art and to buy or commission an artwork from him.
- Milliyet: HINDISTAN
- Doğum tarihi : 1947
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