Arianna nella Mitologia (2019) Sculpture by Albertini

The  two 'aa', art and architecture  in Maria Lucia Albertini, have combined and integrated over the years, in her ability to search for the beauty and balance  of the subjects treated, both in architecture, in  painting and in  spatial three-dimensionality, sculpture . Having graduated in architecture, she pursued her research with determination and coherence both within her profession, specializing in architectural recovery (architect Albertini) and in her works of art.
Over the years she has produced paintings on canvas, on metal plates, her particularity, ceramic sculptures, lost wax bronze sculptures, in aluminium, in materials she has experimented with. For critics she 'reinvents' a new way of making sculpture. Her subjects are born from matter, any matter, as 'living' beings in which she leaves her imprints. She calls her sculptures 'ORGANIC BRONZES' successfully presented in the events of the Venice Biennale. She continues her three-dimensional research with new anthropomorphic subjects presented at Milano Scultura, her precious 'BIO-SCULPTURES'. Albertini produces large works, both paintings and sculptures. The 'WOMEN IN MYTHOLOGY' series is well known, defined as works of protest on women, his favorite subject, but not only that, Albertini loves the human figure, which he knows how to reproduce with mastery without artifice, but reported and fixed in the material directly, without 3D or CAD, or casts.
In this sense, you consider yourself a POST POP-ART artist, WHERE THE ARTIST MUST KNOW HOW TO DO NOT JUST COPY AND IMITATE.
In fact, her sculptures and her subjects are all fictional. Albertini particularly loves bronze which is her favorite material. In that, cold but alive, mutant but unalterable. Her lost wax bronze sculptures contain all the charm of time and the history of man and of molded matter.
My artistic research is linked to matter and to the imprints that I 'can' leave in any material, from clay, to wood, to wax, to foil, to then fix them in the eternity of BRONZE, IN LOST WAX CASTING, like inimitable jewels. In contrast with her works, they are unique. Sculpture, not unlike pictorial works, must be a unique work of art and not the replica of a thousand other identical and commodified copies.
Each ALBERTINI work is UNIQUE THROUGH THE RESEARCH AND MANIPULATION OF MATTER. She is defined by critics as a contemporary artist who has an eye on the past, an excellent knowledge of the history of art, she loves to express her messages in her works through the beauty of her mostly female subjects which binds the viewer with empathy to induce him to reflect on the great themes of life, starting from the need to express an idea that transforms into palpable sensations, into images mentally processed and then fixed in the material or in the paintings; this is how Albertini's works are born. albertiniart

• Nationality: ITALY
• Date of birth : unknown date
• Artistic domains: Works by professional artists,
• Groups: Professional Artist Contemporary Italian Artists