



Restlessness - ink and watercolour (2020) Printmaking by Vera Almeida
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
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Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Printmaking,
Ink
/
Watercolor
/
Engraving
on Paper
- Dimensions Height 15in, Width 11.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Printmaking under $500 Conceptual Art Tree
pen-and-ink
Size: plate 21 x 29,5 cm, paper 29 x 38 cm
Paper: white Fabriano Rosaspina 285 g/m2
Signed on the front
Black and white sketches of bare trees and their surroundings, made by direct observation in the graphic diary were the starting point for the series "Restlessness".
This one is an artist proof which I used as the base for a colour intervention, conferring more strength and movement to the initial one.
Related themes
Vera Almeida is a contemporary graphic designer, artist, and printmaker based in Lisbon. Her work is deeply inspired by nature, leading her to explore various shapes, dynamics, and meanings within the natural world. Fascinated by this environment, Almeida focuses on natural history illustration, utilizing traditional media such as graphite, colored pencils, pen-and-ink, watercolor, and acrylics to bring her visions to life.
Currently, Almeida is delving into the potentialities and challenges of printmaking, particularly in intaglio processes, including etching, aquatint, and drypoint. Through this exploration, she aims to give voice to the creative potential of the medium, further enriching her artistic practice and expanding her creative expression.
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Nationality:
PORTUGAL
- Date of birth : 1969
- Artistic domains:
- Groups: Contemporary Portuguese Artists