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Immoveable Object versus Unstoppable Force (2021) Painting by Tim Southall
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Usage: Web Licence
| 1500 px | ||
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1193 px |
| Dimensions of the file (px) | 1500x1193 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 32.3in, Width 39.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative Seascape
The unstoppable force paradox is a classic paradox formulated as "What happens when an unstoppable force meets an immovable object?" The immovable object and the unstoppable force are both implicitly assumed to be indestructible, or else the question would have a trivial resolution. Furthermore, it is assumed that they are two entities. The paradox arises because it rests on two incompatible premises—that there can exist simultaneously such things as unstoppable forces and immovable objects. The "paradox" is flawed because if there exists an unstoppable force, it follows logically that there cannot be any such thing as an immovable object and vice versa.
I live and work in Cadiz Province on the Costa de la Luz in south-west Spain. With its sparkling light, the Costa de la Luz - the coast of light - has long been a magnet for artists, and like many artists before me, I was drawn to it. It is in the landscape that I make drawings before going into the studio to make pieces of work which are a distillation of ideas rather than directly representational pieces.
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Tim Southall is a contemporary British artist hailing from a family of artists, which fostered his creative upbringing. One of his forebearers was a renowned printmaker known for transcribing J.M.W. Turner’s paintings into engravings during the early twentieth century. Tim is a graduate of the Royal College of Art in London and the École des Beaux Arts in Paris, and he has worked as a professional artist for many years.
For the past 18 years, he has divided his time between Cádiz Province in southern Spain, where he creates much of his work, and a large print studio in Birmingham, UK. As a printmaker, Tim also engages in painting, utilizing various mediums including etching, silkscreen, monotype, and oil on canvas, paper, and board.
As a figurative artist, his interests remain fairly traditional and representational. His body of work spans a broad spectrum of subjects, ranging from fluid, evocative landscapes to narrative pieces deeply rooted in the printmaking tradition. Tim strives to create art that resonates with people, aiming to reach into their souls and touch their hearts.
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Nationality:
UNITED KINGDOM
- Date of birth : 1961
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary British Artists
