Abstract on Canvas #28 (2005) 미술작품 Thomas Pierce Mudd

비매품

Thomas Pierce Mudd 에서 판매

죄송합니다. 이 작품에 대한 이미지 파일이 너무 작습니다.
귀하의 프로젝트에 대한 모든 세부 사항을 저희에게 문의해 주시면 솔루션을 찾아드리겠습니다.
저희에게 연락하세요.

정품 인증서 포함
  • 원작 미술작품, 캔버스의 기름
  • 치수 높이 38in, 폭 51in
  • 카테고리 추상 미술
Oil on linen canvas. Work is a loose canvas. 이 작품에 대한: 분류, 기법 & 스타일 기름 Paint consisting of pigments bound with linseed oil or carnations. The traditional[...]
Oil on linen canvas. Work is a loose canvas.

관련 테마

Thomas Pierce MuddAbstract Paintings On CanvasColoristAbstractions Of NatureFine Art

자동 번역
팔로우
I began my journey as an artist in my mid-twenties with the medium of black and white photography. Having no previous artistic education or training, it was through that medium and the generosity of a few[...]

I began my journey as an artist in my mid-twenties with the medium of black and white photography. Having no previous artistic education or training, it was through that medium and the generosity of a few special mentors that I learned the fundamentals of form, line and balance within a frame; universal concepts that apply to all visual arts.

In my mid-thirties I began to experiment with small format line and color drawings on paper. This diversion had unexpected consequences. Not really understanding why I bothered to invest the time and material in the watercolors, ink, pen and paper, I realize now that my essential need for color and the need to have my hand directly in the creative process were driving forces in this shift. With my own hand, and the process of constructing-deconstructing-reconstructing I found that I could get to the essence of the image more finely and more efficiently than I could with photography.

I consider myself first an abstractionist and colorist, however I see my recent works straddling a line between the abstract and representation. Exploring this boundary is very exciting for me now. My connection with nature and fascination with the abstract have always been my motivation.

My process is very intuitive. My works evolve. Every action has an influence on future actions. A work therefore is the sum total of all actions, whether or not individual actions survive in the finished work. I call it fortuitous serendipity. The concept of completion is a blurry concept in my work. Typically I live with a work for a period of time before I consider it done.

I prepare my canvases from raw linen hand-stretched and coated with gesso. This allows me the flexibility to customize the scale of the work and allows a more intimate connection with the finished piece.

I live and have my studio in Oakland, CA. Please contact me directly for more information.

Thomas Pierce MUDD

Thomas Pierce Mudd에서 더 자세한 내용을 확인하세요.

모든 작품보기
캔버스의 기름 | 74x78 in
비매품
캔버스의 기름 | 40x60 in
비매품
미술작품 | 62x82 in
비매품
캔버스의 기름 | 51x78 in
비매품

Artmajeur

예술 애호가 및 수집가를 위한 뉴스레터 수신