Orogenese XXIII (SG238) (2022) Sculpture by Sylvie Guyomard

Sculpture - Metals, 19.6x15.7 in
$1,444.73
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Other rigid panel
This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Sculpture, Metals on MDF Board
  • Dimensions 19.7x15.8 in
    Dimensions of the work alone, without framing: Height 19.6in, Width 15.7in / 7.00 kg
  • Framing This artwork is framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Abstract Abstract
Oeuvre murale en tôle rouillée et patinée Cadre très fin (2mm) en acier noir entourant l'oeuvre. Cette oeuvre fait partie de la collection "Orogenèse" de Sylvie Guyomard, réalisées avec des tôles rouillées et patinées. ​L'orogenèse désigne l'ensemble des processus entrainant la formation des montagnes. C'est[...]
Oeuvre murale en tôle rouillée et patinée
Cadre très fin (2mm) en acier noir entourant l'oeuvre.
Cette oeuvre fait partie de la collection "Orogenèse" de Sylvie Guyomard, réalisées avec des tôles rouillées et patinées.
​L'orogenèse désigne l'ensemble des processus entrainant la formation des montagnes. C'est le mouvement des plaques tectoniques qui nous permet de comprendre et d'expliquer la formation des chaînes de montagnes.
"L’inscription du temps dans la matière me fascine. J’utilise des tôles oxydées par le temps et la nature" Sylvie Guyomard
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Artist represented by Galerie Acabas
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Sylvie Guyomard: Artist Painter Sculptor Sylvie Guyomard is a visual artist who, after having studied at the École des Beaux-Arts in Paris, 039;is inscribed in wall art painting with a pronounced[...]

Sylvie Guyomard: Artist Painter Sculptor


Sylvie Guyomard is a visual artist who, after having studied at the École des Beaux-Arts in Paris, 039;is inscribed in wall art painting with a pronounced taste for architecture.

His creations are attached to nature, are interested in volcanic eruptions , geology, fossils; everything that is the bubbling of the earth.

Sylvie Guyomard first worked on inlays of material to arrive today at something more zen.While keeping her way.

From her third realization she uses the slate that she will never leave. Everything then becomes obvious to work with this material in order to bring out the light and express all its games... The search for reflection, the very black contrasts, it goes from light gray to the blackest, sometimes adding inlays to accentuate the mysterious side, a bit like icons.

Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and to be able to contemplate every angle so different from one place to another. That the exterior light is an integral part of the work so that it can evolve over the hours of the day and the lighting of the seasons.

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